Poetry

As the natural world shakes off a long winter, Michael watches lambs being born on the farm, delights in a fanfare of bluebells in the woods, and sings to the birds, dressed in his wellies and dressing gown. He shares small moments of joy found in the back garden, as well as more dramatic encounters with sparrowhawks, hares and otters.

With Hutchins’s trademark sensory and evocative language throughout, Make Believe contains both viral spoken-word pieces and never-before-shared writing. Ultimately pointing listeners toward transformation, Hutchins invites you to imagine: What would happen if you allowed yourself to believe again—in dreams and miracles, but mostly in yourself?

In this volume the English language reveals itself in a scale and depth that few others can compare with. It seems to be an advantage to be able to choose from over a million words and yet, it is not the words but the way in which they are used that resonate with us all. Is there some bond between the English and writing poetry? Maybe, maybe not, but let us celebrate these poems down the ages, not as one nation’s hoard but humanity’s gift.

Loss-iLahleko (A National Choreopoem): The Audio Experience invites you on a heartfelt journey of loss and return. This audio adaptation brings the choreopoem from the full-length book Loss-iLahleko (A National Choreopoem) to life, offering a deeply moving literary and sonic experience.

Each and every one of us has attempted the feat—to express our feelings on love is one of the joys, or heartaches, of life. In this volume 10 poets add their immortal words on love. Some are tender, some are strident, some beguile with unknown words and play but always, always in tones of love. Genius in every name.

Dick Davis—“our pre-eminent translator from the Persian” (The Washington Post)—has revised and expanded his acclaimed translation of Ferdowsi’s masterpiece, adding more than 100 pages of newly translated text. Davis’s elegant combination of prose and verse allows the poetry of the Shahnameh to sing its own tales directly, interspersed sparingly with clearly marked explanations to ease along modern audiences.

In this series we look at some of our leading classic authors across two genres: the short story and the poem. In this modern world there is an insatiable need to categorise and pigeon-hole everyone and everything. But ideas, these grains and saplings of the brain, need to roam, to explore and find their perfect literary use vehicle. Our authors are masters of many literary forms, perhaps known for one but themselves favouring another.

Ceremony is a collection for those on the cusp of becoming. It is a reminder that we were not meant to fit into this world perfectly, but to live in such a way that might forge a path all our own. It is a reminder that we are one with each other and nature itself. It is a reminder that we contain within us the latent potential of every future possibility we can conceive of. It is a reminder that we often must release what is not ours in order to receive what is, that we are all born with a unique imprint to leave upon the world, and that self-love is not an infatuation, but a homecoming.

‘A dime a dozen’ as known in America, is perhaps equal to the English ‘cheap as chips’ but whatever the lingua franca of your choice in this series we hereby submit ‘A Rhyme a Dozen’ as 12 poems on many given subjects that are a well-rounded gathering, maybe even an essential guide, from the knowing pens of classic poets and their beautifully spoken verse to the comfort of your ears.

‘A dime a dozen’ as known in America, is perhaps equal to the English ‘cheap as chips’ but whatever the lingua franca of your choice in this series we hereby submit ‘A Rhyme a Dozen’ as 12 poems on many given subjects that are a well-rounded gathering, maybe even an essential guide, from the knowing pens of classic poets and their beautifully spoken verse to the comfort of your ears.

‘A dime a dozen’ as known in America, is perhaps equal to the English ‘cheap as chips’ but whatever the lingua franca of your choice in this series we hereby submit ‘A Rhyme a Dozen’ as 12 poems on many given subjects that are a well-rounded gathering, maybe even an essential guide, from the knowing pens of classic poets and their beautifully spoken verse to the comfort of your ears.

‘A dime a dozen’ as known in America, is perhaps equal to the English ‘cheap as chips’ but whatever the lingua franca of your choice in this series we hereby submit ‘A Rhyme a Dozen’ as 12 poems on many given subjects that are a well-rounded gathering, maybe even an essential guide, from the knowing pens of classic poets and their beautifully spoken verse to the comfort of your ears.

‘A dime a dozen’ as known in America, is perhaps equal to the English ‘cheap as chips’ but whatever the lingua franca of your choice in this series we hereby submit ‘A Rhyme a Dozen’ as 12 poems on many given subjects that are a well-rounded gathering, maybe even an essential guide, from the knowing pens of classic poets and their beautifully spoken verse to the comfort of your ears.

Poem about the comparison of what it is to be a Modern man today. What it may have been yesterday, and what it was to compare it to our relatively recent ancestors from just a hundred thousand years or so - The Neanderthals.

In But & Though, Jake Hawkey scrutinizes the impact of parental addiction on families, its title a nod to the language of dependency, its circles of prevarication and excuse. Hawkey’s poems chart the loss of a father and the resilient love between siblings, and take an unflinching look at a parent–child relationship sometimes painfully inverted through alcoholism.

‘A dime a dozen’ as known in America, is perhaps equal to the English ‘cheap as chips’ but whatever the lingua franca of your choice in this series we hereby submit ‘A Rhyme a Dozen’ as 12 poems on many given subjects that are a well-rounded gathering, maybe even an essential guide, from the knowing pens of classic poets and their beautifully spoken verse to the comfort of your ears.

‘A dime a dozen’ as known in America, is perhaps equal to the English ‘cheap as chips’ but whatever the lingua franca of your choice in this series we hereby submit ‘A Rhyme a Dozen’ as 12 poems on many given subjects that are a well-rounded gathering, maybe even an essential guide, from the knowing pens of classic poets and their beautifully spoken verse to the comfort of your ears.

‘A dime a dozen’ as known in America, is perhaps equal to the English ‘cheap as chips’ but whatever the lingua franca of your choice in this series we hereby submit ‘A Rhyme a Dozen’ as 12 poems on many given subjects that are a well-rounded gathering, maybe even an essential guide, from the knowing pens of classic poets and their beautifully spoken verse to the comfort of your ears.

In this series we look at some of our leading classic authors across two genres: the short story and the poem. In this modern world there is an insatiable need to categorise and pigeon-hole everyone and everything. But ideas, these grains and saplings of the brain, need to roam, to explore and find their perfect literary use vehicle. Our authors are masters of many literary forms, perhaps known for one but themselves favouring another.

In this series we look at some of our leading classic authors across two genres: the short story and the poem. In this modern world there is an insatiable need to categorise and pigeon-hole everyone and everything. But ideas, these grains and saplings of the brain, need to roam, to explore and find their perfect literary use vehicle. Our authors are masters of many literary forms, perhaps known for one but themselves favouring another.

In The Waste Land, T.S. Eliot presents a haunting and fragmented vision of a world in decline—a world ravaged by war, disillusionment, and spiritual desolation. Considered one of the most influential poems of the 20th century, The Waste Land is a complex mosaic of voices, mythic references, and shifting landscapes, capturing the fractured psyche of modern life.

Written with the bold vulnerability that folk singer Judy Collins is best known for, Sometimes It’s Heaven: Poems of Love, Loss, and Redemption is an timeless collection that reaches audiences right where they are. Throughout her six-decade long career, Judy Collins has encouraged audiences with sublime vocals, personal life triumphs, and a firm commitment to social activism, this compilation of poetry captures the ethereal and inspiring nature of her artistry in an all-new way.

Living each day fully and serenely is the ideal we aspire to, without really believing in it. Reaching our goals can seem impossible, and even pursuing them feels challenging. The personal development advice and methods we have tried repeatedly haven’t proven convincing, to the point where leading a harmonious, meaningful, and fulfilled life may feel like an unreachable utopia.

Our homes are a reflection of us. They say something about ourselves, our families and who we are. This book is about growing up in my mother's house from the 1970s in the inner city of Nottingham, England. Each room in our house had a purpose, playing a part in our family life. Through the stories and poems in each chapter of the book, you can take a glimpse into each room of the house and my experiences in a large Caribbean family, from child to adult. The rooms of my mother's house may be different to yours, but they tell of belonging and becoming.

Aging is a journey that weaves itself through every moment of life, a quiet companion that teaches, transforms, and reveals. It is a process both tender and unyielding, a rhythm of gain and loss, a constant reminder of life’s fragility and resilience. These poems are an ode to that journey, an exploration of what it means to grow older, to carry the weight of love and memory, and to find beauty in the passage of time.