
Daniel Deronda
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Narrated by:
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Nadia May
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By:
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George Eliot
About this listen
Gwendolen Harleth is the beautiful, high-spirited daughter of an impoverished upper-class family. In order to restore their fortunes, she unwittingly traps herself in an oppressive marriage. Humbled, she turns for solace and guidance to Daniel Deronda, the high-minded adopted son of an aristocratic Englishman. But when Deronda, who is searching for his path in life, rescues a poor Jewish girl from drowning, he discovers a world of Jewish experience previously unknown to him, and to the Victorian novel. Dismayed by the anti-Semitism around him, the tragedy of the lovely Gwendolen begins to fade for Deronda. When he finally uncovers the long-hidden secret of his own parentage, he must confront his true identity and destiny.
(P)1997 Blackstone Audio Inc.Critic reviews
" Daniel Deronda is a startling and unexpected novel....It is a cosmic myth, a world history, and a morality play." (A. S. Byatt)
Daniel, unfortunately, was a lot less interesting and so were the somewhat 2 dimensional characters that populated his half of the story. The proto-Zionist theme is both over and under-developed somehow and doesn't seem to lend itself to Eliot's incredible psychological insight and empathy for humans in all their frailty. Mordecai is more like a symbol than a real character.
The reading was OK. I like that she didn't read too slow and that she attempted some accents. I couldn't help hearing some of the Jewish characters as South African though which didn't seem right!
It's no Middlemarch
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The reader was very good. There are lots of characters and lots of different accents. She did a remarkable job. But she had two ways of pronouncing Mordechai, neither correct, which she she seemed to have randomly chosen between over and over again. Even if there are only 200,000 Jews in Britain, she might have found one and asked how to pronounce it. I know it is petty but it took me out of the story each time it happened.
Great Except for Foreign Names
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George Eliot examines race, faith, fate and, as always, female behaviour.
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Couldn’t get into it
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Brilliant!
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My problem with this version is the narrator; Nadia May, who has an unfortunately grating and somewhat didactic tone that makes it difficult to enjoy the literature. ( A reminder of boring English lit classes at school with the teacher droning on indifferent to the class who are already looking out of the window, sleeping or doing other things.)
Nadia also speaks way too fast to digest all the characters and the setting and in a somewhat monotonous way that makes it difficult to concentrate on what is already a challenging read.
I'm afraid I found myself drifting off and not listening many times and having to go back and listen again.
Works of great 19th century literature need a narrator who can flow with and meld into the literature, so that you are no longer aware that there's a narrato at all. This requires a slow, clear, crisp and pleasing diction and variable expressive intonations at the right times to adapt to the emotion of the story.
This needs Juliet Stephenson to tackle it.
Thankfully there are other versions available on Audible with better narrators.
You get what you pay for.
An Eliot classic but unfortunately poor narration
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An audible treat!
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The huge flaw is Eliot's Zionist fantasy and the two dimensional characters she generates to explore that unfortunate theme.
But some of the writing contains the most penetrating psychological analysis to be found in any modern novel. And we feel we are in the company of a powerful and fascinating creative mind. The book is even better second and third time through.
Nadia May's is a superb and intelligent reading but Juliet Stevenson's on Naxos is even finer! She takes more time, has an even better ear for characters and crucially we get translations of the important epigraphs in French and German. The silly little Audible voice at the end asking if we've enjoyed the show is particularly irritating!
A WONDERFUL CHALLENGE
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Would you listen to Daniel Deronda again? Why?
Because it is a great story, good escapism and satisfying to listen to.What other book might you compare Daniel Deronda to, and why?
'Adam Bede' and perhaps Elizabeth Gaskell's 'Mary Barton'What about Nadia May’s performance did you like?
Hurray for unaffected narrators such as Nadia May, who reads at a sensible pace, instead of dragging it out and detracting from the understanding by silly voices. She does justice to the wonderful writing.Was there a moment in the book that particularly moved you?
Haven't finished it yet, but I'm sure there will be, good novels usually have experiential realism that draws me in.Wonderful Classic
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A great novel
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