Film Music
A Very Short Introduction
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Narrated by:
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Amy Rubinate
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By:
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Kathryn Kalinak
About this listen
Years before synchronized sound became the norm, projected moving images were shown to musical accompaniment, whether performed by a lone piano player or a hundred-piece orchestra. Today film music has become its own industry, indispensable to the marketability of movies around the world.
Film Music: A Very Short Introduction is a compact, lucid, and thoroughly engaging overview written by one of the leading authorities on the subject. Kathryn Kalinak introduces listeners not only to important composers and musical styles but also to modern theoretical concepts about how and why film music works. Key collaborations between directors and composers come under scrutiny, as do the oft-neglected practices of the silent film era. She also explores differences between original film scores and compilation soundtracks that cull music from pre-existing sources.
As Kalinak points out, film music can do many things, from establishing mood and setting to clarifying plot points and creating emotions that are only dimly realized in the images. This book illuminates the many ways it accomplishes those tasks and will have its listeners thinking a bit more deeply and critically the next time they sit in a darkened movie theater and music suddenly swells as the action unfolds onscreen.
©2010 Kathryn Kalinak (P)2021 TantorWhat listeners say about Film Music
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- Stephen
- 02-06-24
Robotic narration but lots of useful info
Great when it focuses on the music and its history, less convincing when it bangs on rather credulously about the theory (e.g. how could the psychoanalytic theorists know that babies are happy in the womb, let alone be sure that this feeling is what music recreates?), and the way that every non-European/US country's local styles and instruments are described as "native" and "indigenous" feels patronising and old-fashioned. The audiobook narrator is apparently a human but sounds more like AI than any AI narrator I've heard – are there really any human narrators who can't pronounce Reservoir Dogs properly? One other thing: non-fiction audiobooks would greatly benefit from an agreed way of indicating heading levels, to give the listener some sense of the structure.
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