![Hot Lead, Cold Iron [Dramatized Adaptation] cover art](https://m.media-amazon.com/images/I/512zajaH0tL._SL500_.jpg)
Hot Lead, Cold Iron [Dramatized Adaptation]
A Mick Oberon Job, Book 1
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By:
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Ari Marmell
About this listen
Chicago, 1932. Mick Oberon may look like just another private detective, but beneath the fedora and the overcoat, he's got pointy ears and he's packing a wand.
Oberon's used to solving supernatural crimes, but the latest one's extra weird. A mobster's daughter was kidnapped sixteen years ago, replaced with a changeling, and Mick's been hired to find the real child. The trail's gone cold, but what there is leads Sideways, to the world of the Fae, where the Seelie Court rules. And Mick's not really welcome in the Seelie Court any more. He'll have to wade through Fae politics and mob power struggles to find the kidnapper – and of course it's the last person he expected.
Performed by Eric Messner, Ren Kasey, Terence Aselford, David Coyne, Nora Achrati, David Jourdan, Kimberly Gilbert, Lily Beacon, Bob Payne, Andy Brownstein, Bradley Smith, Colleen Delany, Michael John Casey, Andy Clemence, Richard Cutting, Christopher Graybill, Nick DePinto, Matthew Keenan, Nanette Savard, Elliot Dash, Tim Carlin, Scott McCormick, Jeff Allin, Steve Wannall, Dylan Lynch, Casie Platt, Tara Giordano, Mort Shelby.
©2014 Ari Marmell (P)2014 Graphic Audio, LLCGood and energetic teen fiction. You will be entertained.
Thanks but
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Fantastical
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Not your whimsy spell casting but more towards the old ways of magic.
The combination of witty writing and good ADR casting is a must for any listener.
Music and foley was well reordered and really gave it the edged that made this stand out.
Fun and exciting
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Gonna listen to it again now...
Great Magical (and comic) Noir
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Loved it
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Enjoyable Story.
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The story is ok. Performances ok as well - when you could hear them. Music is used throughout to set the ‘background’. Jazzy stuff for prohibition Chicago, lyrical for the Sidhe lands etc. but way, way too loud. Drowning out the voices in places and too distracting in others.
This wasn’t my first Graphic Audio production, but if it had been I probably wouldn’t be spending credits on others.
As a uk listener, I struggled with Prohibition Era slang which is used extensively throughout.
I finished it, but I doubt I will get book 2 - purely because of the poor sound mixing.
OK story - Ruined by poor audio mixing
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The storyline is OK and the actors do a great job but after a while the 'special effects' destroy the enjoyment
way too much background music
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Great story, bit too much dramatisation.
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Ruined!
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