The brilliant narrative

This is a wonderful book if a little too 'wordy" in places. I mainly started listening because of the always fantastic narration by KHS (Rivers of London!!) but thought the story was brilliant. Im off to listen to the NXT book in the series. Thanks Amazon for putting it in your sale.

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Brilliant narration, avoid spoilers!

Ultimately I finished this and will probably now move on to the sequel so I can't exactly complain. I'm going to complain (a little) though because it didn't quite feel the book I wanted it to be despite the outstanding narration.

Whoever you do, don't read the blurb on the sequel either as it gives a MASSIVE spoiler to this book. I made that mistake and spent the entire book knowing something crucial about the ending and that was just from one accidental glance at a blurb.

As I say, on the one hand I found the whole thing 'not quite' but I also finished it and plan the sequel so it must be okay.

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2 people found this helpful

amazing reader

found this to be a very entertaining and well preformed story by the reader.

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ok

This book could of been so much better, started off really good but ending was poor.

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excellent narration

Sections, not in chapter form for forwarding. Just too much descriptive of place for me.

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I don’t know how I feel

The narrator was perfect I thought. His character voices were seamless and his tone for narration was subtly dreamlike - which was so well matched to the nightmarish imagery .

Some of that imagery was visceral and I felt confused early on as I was under the misapprehension that this was a coming of age story . It’s not .

I am just not sure whether I liked it or not. We’re the book a date I wouldn’t suggest meeting for dinner next week. As it isn’t I plan to listen t the next n the series in a couple of weeks.

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OK but more YA than I expected

Excellent voice performance. The book was OK. I mostly felt that it lacked depth and nuance.

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3 people found this helpful

just yes.

Gothic, glorious and bloody brilliant. made even better by possibly the best male narrator ever.

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The Narrator is Excellent

I persevered with this book only because of the narrator’s brilliance.
However, although the storyline was interesting it didn’t excite and I just couldn’t invest in it.
Not a good ending.

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Gott ist Tot & the Festivals of Atonement

Gothic fantasy and steampunk-flavoured juvenile delinquency in this acclaimed novel from Alex Pheby (the first in his proposed Cities of the Weft trilogy). One line pitch: it's Oliver Twist meets Gormenghast with Anakin Skywalker as the lead. Although not promoted as a YA novel, this feels solidly in that tradition. Set in the mystically-besieged cityport of Mordew, the story follows our 'chosen one' teenage hero, Nathan, on his journey from slum-dwelling child of a penitent ex-warlock to the upper echelons of the Master's keep and the magical lands beyond the sea. Pheby engages in some serious world-building with Mordew, drawing on numerous influences to set his scene, but doing so with a cohesion and conviction that makes the Protean living mud and vertiginous glass road feel of a piece with the sewers, warehouses and palaces of the decadent, diseased city.
However, if Pheby's scene-setting is excellent, his pacing lets him down. The first act of this enormous novel introduces various political intrigues and a Dickensian narrative arc that sees Nathan fall in with a gang of thieving street urchins whilst his father lies dying and his aristocratic mother is forced into prostitution. This all builds nicely and I wish it had been developed further but then the story switches track for the second act: Nathan's nascent magical abilities suddenly turn full-Jedi and the book transitions into arcane symbolism and dreamlike fantasy. Once the confused Nathan has fallen under the Master's dubious patronage the remainder of the novel plays out with ratcheting jeopardy, flipped expectations, passageway chases and plenty of exposition in readiness for the second instalment. Oh, and the corpse of God lies is in the catacombs beneath the castle, but more on that next time. In other words, this does not resolve itself in a particularly satisfactory manner. Still, there was much to enjoy here, and I will certainly check in with part two.
Of course, what this audiobook really has in its favour is Kobna Holdbrook-Smith on narration duties. Holdbrook-Smith still has all the good will in the world from his work on the Peter Grant books and he doesn't drop the ball here, giving an excellent performance up to his usual high standards (even in the scene with the elefanges, which no one is going to like).

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2 people found this helpful