
On the Road
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Narrated by:
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Matt Dillon
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By:
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Jack Kerouac
About this listen
Sal Paradise, a young innocent, joins his hero Dean Moriarty, a traveller and mystic, the living epitome of beat, on a breathless, exuberant ride back and forth across the United States. Their hedonistic search for release or fulfilment through drink, sex, drugs and jazz becomes an exploration of personal freedom, a test of the limits of the American dream.
A brilliant blend of fiction and autobiography, Jack Kerouac's exhilarating novel swings to the rhythms of 1950s underground America, racing towards the sunset with unforgettable exuberance, poignancy and autobiographical passion. One of the most influential and important novels of the 20th century, On the Road is the book that launched the beat generation and remains the bible of that literary movement.
©1957 Jack Keourac (P)2015 Audible, IncA superb rendition of an epic book
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The rambling 'Spontaneous Prose' of the piece is an interesting way of writing and I guess if the story is really about the journey rather the destination one way to emphasis that is to make are that Sal Paradise never gets where he's aiming to get. My biggest takeaway is the characters who's hedonistic ways see them burn through all the money they can get, have, cheat or have wired to them.
Full of awe about the road that they're on and the people they meet along the way, crossing America with only 10 sandwiches in your pocket and having a lot of questionable hobbies and sexual preferences. A lot of problematic behaviour to "fags" when they court underage girls with abandon and mistreat almost every female character in the novel (although they're not exactly kind to each other they at least feel bad about it).
definitely a product of its time
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Supposedly we all have to grasp the nettle and settle down and conform
Good story
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Matt Dillon’s voice is appropriately gravelly, and some of the dialogue was convincing but... my theory is that Dillon is more of a visual actor. I think Jack Kerouac can turn a decent phrase or two. He’s probably got talent, is what I’m saying.
There were some descriptive passages that, on the written page, were probably astoundingly beautiful. There were glimpses. But Dillon’s delivery is so throw-away, so poorly annunciated, so little stressed, that it was literally impossible to say if Kerouac is a genius like James Joyce or just a disorganised, mostly sloppy, sometimes breathtakingly good but basically...not that great writer. I would need to actually read the words on the page to know.
Basically, it sounded like the author was drunk and the actor was drunker!
Probably better than it sounds
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Absolutely brilliant
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Beat came across as less of a movement and more of an alien lifestyle.
Second Time, Traumatic
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The Promised Land
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On a role....
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Yes yes yes..
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Poetry in motion
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