Radical Light
Studies in World Art, Book 13
Failed to add items
Add to basket failed.
Add to wishlist failed.
Remove from wishlist failed.
Adding to library failed
Follow podcast failed
Unfollow podcast failed
£0.00 for first 30 days
Radical Light
Buy Now for £2.99
No valid payment method on file.
We are sorry. We are not allowed to sell this product with the selected payment method
-
Narrated by:
-
Gerard Marquez
About this listen
It is a historical peculiarity of landscape painting that it begins with the artificial, and only after that proceeds towards the natural. For example, landscape paintings, and especially fanciful Nilotic panoramas, were one of the genres produced by artists in Pompeii. When, with the Renaissance, landscape painting once again started to establish itself after a long interval, the representations of the surrounding world that artists began to produce as a separate and independent genre, rather than simply as a background for human figures, were usually more fanciful than real.
Giorgione’s Tempestá, for example, which is more landscape than figure painting, is conspicuous for this artificial quality. This is also true of some of the best-known works of Nicolo dell’Abate - among them the beautiful Death of Euridyce in the National Gallery, London.
©2014, 2019 Cv Publications (P)2019 Cv PublicationsListeners also enjoyed...
