
Respect Yourself
Stax Records and the Soul Explosion
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Narrated by:
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Cassandra Campbell
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By:
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Robert Gordon
About this listen
The story of Stax Records unfolds like a Greek tragedy. A white brother and sister build a record company that becomes a monument to racial harmony in 1960’s segregated south Memphis. Their success is startling, and Stax soon defines an international sound. Then, after losses both business and personal, the siblings part, and the brother allies with a visionary African-American partner. Under integrated leadership, Stax explodes as a national player until, Icarus-like, they fall from great heights to a tragic demise. Everything is lost, and the sanctuary that flourished is ripped from the ground. A generation later, Stax is rebuilt brick by brick to once again bring music and opportunity to the people of Memphis.
Set in the world of 1960s and '70s soul music, Respect Yourself is a story of epic heroes in a shady industry. It’s about music and musicians - Isaac Hayes, Otis Redding, Sam and Dave, Wilson Pickett, the Staple Singers, and Booker T. and the M.G.’s, Stax’s interracial house band. It’s about a small independent company’s struggle to survive in a business world of burgeoning conglomerates. And always at the center of the story is Memphis, Tennessee, an explosive city struggling through heated, divisive years.
Told by one of our leading music chroniclers, Respect Yourself brings to life this treasured cultural institution and the city that created it.
PLEASE NOTE: When you purchase this title, the accompanying reference material will be available in your My Library section along with the audio.
©2013 Robert Gordon (P)2014 Audible, Inc.This book is a wonderful insight, a great tribute, a historical music masterpiece and a superb listen.
Thanks to everyone involved, particularly Robert Gordon for your thoroughness in ensuring the full story has been told.
Almost in the words of the Staple Singers ‘I have been taken there!’
Wonderful insight
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Legendary soul label
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The 'Jocks', now on Radio1, had been struggling to be heard on the pirate ships broadcasting off the coast of uk (see 'The Boat That Rocked'), and we're legitimised by the Beeb. They played Pop music - and I loved it. The Beatles had just released Sergeant Pepper, the Byrd's were flying higher, Otis Redding was giving us this new thing :-'Soul', the summer of love was upon us, and my 'Tranny' turned me into a petty larcenist - stealing batteries from the local shop to keep the sounds coming. We in Blighty didn't have multiple charts. We didn't realise we had any culture other than stiff upper lip, so something called Arunbee wouldn't have registered as anything other than 'foreign', and therefore suspect. So only one pop chart, and everyone had to share it. And we all got to hear the hits from the USA, they were just that: Hits. From Motown or Memphis, New York or LA, they were all American hits, and therefore warranted a listen. If we liked it a record would rise, if not it disappeared. We're a quite simple folk. As I grew so did my eclectic musical tastes.
Underpinning it all was the stuff that I learned along the way. The lyrics of so many seemed to be protests. Stevie Wonder's Living for the City part ii was visceral! The injustice of endemic racism, and the societal acceptance of it were horrifying to me. What is wrong with the Americans?! After a while though the sounds of life progressing began to drown out the drone of the issue for me. Then, one day many years later I'm searching for something new to listen to on Audible and I find 'Respect Yourself'. Oh yeah, Staple Singers. Great song. 'The Stax story'. Let's give it a go. To date I have listened to it three times; travelled to Memphis so I can get a sense of what I read. (It's still around.) I spoke to Jacqueline Smith who has held a decades-long continuous protests outside the Lorraine Motel (Where Doctor King was shot) against the - in her eyes - disgusting monetarising of his death through turning the motel into a museum by some profit-grabbing businessmen rather than putting the profits back to a still largely very poor neighbourhood.
I went down Beale, had a great meal in BB King's place whilst listening to two excellent bands - for the cost of a 2 dollar cover charge.
And went to the Stax Museum. I was accompanied on this trip by my wife. She's not as enthusiastic about music and its history as I am. She 'knows what she likes' . I'd rather over done 'promoting' the music thing - especially Stax - and she was less than excited when we arrived. She got out of the vehicle in the carpark - where there are speakers playing some hits. "Oh I like this one" Smile appears. We go in. While paying the smile broadens. "I remember this one". We carry on through. She's on the Soul Train dance floor - shaking it. "This is great music!".
The point of this travellers' reminiscing? My wife - who wouldn't previously have had cause to consider the plight of a massive sub structure of American culture, learned and appreciated the enormous gift to Black America's life that the Stax label became because I had read this book. We toured the Black Experience wherever we found it, talking to everyone we encountered. Our library is enriched by the books we bought. And our awareness of Black Lives mattering is strong. We were never actively racist, but we were equally ignorant of the day to day life of so many. No longer. All due to this book. It's changed my life.
So good I went to Memphis
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Amazing !!!
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I think anyone thinking of visiting either (or both) would find this book illuminates the visits.
The narration is so good, yet oddly unobtrusive that I found myself investigating the reader as well!
I was pleased that it seems equal effort was spent on the good times as the bad times and the detail in places was a credit.
Sometimes it seemed almost like a fiction but two weeks after I'd finished listening, we were standing outside at McLemore & College!
Very good scene setter
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