animal peril

It was a good story which I enjoyed a lot. Unlike other reviewers, I coped with the "incest" element, and the odd pronounciation and even the cockney Arab taxi driver did not bother me. My angst is reserved for the contrived and plain weird phobia of the heroine towards cats! And even worse, the number of poor ill-treated dogs that put in an appearance. I was at end of my tether by the time our incestuous pair finally rescued one. But the two larger "guard" dogs who turned out friendly just disappeared at end of the dramatic finale. Presumably they just faced a future as neglected ill-treated strays like the other canine characters. Animal neglect is one of the less attractive insights into the 1950s/60s that Mary Stewart novels reveal.

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1 person found this helpful

Lovely story... Slightly ropey narration

I've always loved Mary Stewart... I read my mama's old copies 30 years ago and they are always littered with foreign names and text. The narrator has a sweet voice but... Christ.. Every single of these new Stewart recordings is littered with mispronunciations of English words - let alone the foreign text. Do actors not bother to do their research, are studio staff badly educated or are they now too afraid to correct actors when they make a massive mess of words? It feels like every 15 mins there's a word or name blatantly mispronounced. While I'm beefing... An Arabic driver's voice in this recording is portrayed as... Cockney. Seriously???

Great story but I could do without wincing all the time. Very careless production.

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2 people found this helpful

Brilliant

I grew up with Mary Stewart's books, and they are all excellent. Lyrical in description and beautifully written. This is also a cracking thriller. Very well performed too.

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1 person found this helpful

Another classic Mary Stewart, well read

This, like all Mary Stewart's novels, is a book that I've known, read and re-read over many years but The Gabriel Hounds was the only one where one aspect never seemed to quite click for me. The story is a classic Mary Stewart plot, this time Christy (sheltered,moneyed, a bit naive, a bit spoilt and entitled but nice despite all that) is travelling in the Middle East. By chance she bumps into her cousin Charles and later learns that their eccentric Great Aunt Harriet, who had shifted lock stock and barrel (and dog) to live in some state in the area years ago is not, as Christy thought, dead but still alive and living in remote seclusion in a crumbling desert palace,
No wish to give spoilers for those who haven't read the books, but the one part I always found difficult to 'see' in my mind's eye was the scene where Christy, after some stubborn pressure on her part, is finally admitted to her Great Aunt Harriet's darkened room to talk to her. It was surprising how much simpler I found it to visualise that clearly when listening to the narration rather than reading.
As with all of Stewart's classic novels, there is a romance but there is also danger and murder.
This one was written in the 1960s. For a modern listener it seems strange to hear of tourist visiting Beirut, Damascus, Aleppo and other names we are only too familiar with from the news, for all the wrong reasons. The world described here is not the same today and it's sad to realise how different it was such a short time ago.
But it's a good story, and of its time. And it's well narrated on the whole, though not sure why the local Arab driver is given an Estuary accent - the book was written far too long ago for him to have been learning his English from East Enders..
It's great to have all these Mary Stewart books finally recorded and unabridged. Emilia Fox read the first, Madam Willl You Talk, and from then on they've been different voices all the way. I think Ellie Heydon, who reads this and Nine Coaches Waiting, is the first to 'double up'. Despite a few pronunciation errors, it's ok and I hope she reads some of the 4 still to come in November.

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5 people found this helpful

Of its time

It becomes clear in the first few pages about the potential love interest between 2 cousins whose fathers are twins. In today’s age that does not sit well and stopped me from revelling in the usual romance angle.

The thriller aspect of the story is rather fun, with a gothic feel, although still not as fantastic as some of MS’s other works.

As others have mentioned, the narrator makes several odd prononciation choices. Beirut pronounced “bear-root” happened a lot, and several other more single-instance choices were just incorrect. Makes the listening a little jarring but it’s not too frequent to completely upset the listener.

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2 people found this helpful

Brilliant and magical

Mary Stewart at her best with wonderful descriptive passages making the Lebanon and its magic come alive!

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1 person found this helpful

Weak story, poorly developed characters

I was looking forward to this having read all Mary Stewart's novels years ago and I remember enjoying them all. But I found this story, characters and narration all a bit limp. Disappointing, but won't stop me listening to all the MS audio books as they become available.

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1 person found this helpful

Performance

Reader very poor in places could not pronounce 'Seraglio' which was a key part of the story and repeated frequently. 'Prosecute' read as 'persecute'. Almost spoilt an entertaining story.

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