
Then We Came to the End
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Narrated by:
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Ian Porter
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By:
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Joshua Ferris
About this listen
Then We Came to the End is about how we spend our days and too many of our nights. It is about being away from friends and family, about sharing a stretch of stained carpet with a group of strangers we call colleagues. It is about sitting all morning next to someone you deliberately cross the road to avoid at lunchtime.
Joshua Ferris' fabulous novel is the story of your life, and mine. It is the story of our times.
©2007 Joshua Ferris (P)2008 Isis Publishing LtdCritic reviews
"Outstanding...incisive, urgent, funny, and snappily written...The comedy debut of the year." (Sunday Times)
"It's a long time since I've read a novel so painfully funny, or so absurdly true." (Craig Brown, Mail on Sunday)
"Very funny, intense and exhilarating...For the first time in fiction, it has truly captured the way we work." (The Times)
"As [Joshua Ferris] starts to tell of a world of stained grey carpets and personalised coffee mugs, a place where the characters' faied attempts to connect with their co-workers' essential humanity fuel the desultory plot, the spirits sink. Yet there is something horribly compelling about Ferris's eerily successful attempt at nailing the ways in which office life becomes the only life, where the sight of a male colleague's oddly "geisha size feet" is more familiar than a spouse's smile, and where workplace status is more important than crucial doctor's appointmnets. It is a chilling study of intimacy without love or commitment in an atmosphere of dread as one by one the workers start to get laid off." (The Sunday Times)
I loved the author's unique narrative voice, sticking mostly to the collective 'we' when depicting office life in all its shallow, tedious superficiality, with a good measure of male swagger thrown in. Then, ever so often and like branches descending from a tree, the narrator reverts to the singular form when telling us the story of an individual employee: The sacked guy who dies six months later and the traits of whom none of his colleagues can remember at the funeral, the secret fear of a seemingly invincible boss, the crazy loner who turns out to be saner than many of those who labelled him. When telling these stories, the narrative voice becomes human and compassionate. The change is so subtle that I didn't notice it at first.
This is clearly a character-driven book which made me think afresh about the strange group dynamics that turn individually reasonable, sensitive people into a dull, unreceptive and sometimes cruel mass. At the same time it manages to be highly amusing, which is why I'm giving it five stars.
One of the smartest books I read in years
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Witty, lively and wonderfully black humour
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Strangely Brilliant
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I'm so glad I did persevere, because as I got used to the style and the characters, I actually found myself starting to care - just a little bit. I wondered where on earth it was all going to lead, because as I said, there is no plot - was it all just going to tail off? But there is a lovely little punchline, that neatly answered one of the questions that had been puzzling me all the way through: who exactly is the narrator?
Don't buy this if you want a straightforward story simply told. It's bizarre! And very clever.
Bizarre and very clever
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Any additional comments?
What made it enjoyable? The mundanity. This is a book about the boredom of the workplace and how we fill the void of it with narcissistic fantasies and gossip.The characters here though are so petty, childish and self-interested (and perhaps that is to be expected in an Ad agenecy?) that you pray for bad things to happen to them.
If you like the idea of the subject matter I'd read/listen to David Foster Wallace's 'The Pale King' instead.
Having said that I did enjoy the utter silliness of the enterprise.
Sort of sub David Foster Wallace
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a brilliant, funny take on office life
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It quickly became clear, within a chapter or so, that this was a book of pure, unadulterated genius. It is clever, innovative, funny, touching and profound. But it is also a deeply literary novel. It is not meant to be an easy read. It is not 'office lit'. It deals with the big issues of life - death, loss, grieving and those large, thorny questions of identity. And it filters these through the context of work. What emerges is a masterpiece of understatement, a tour-de-force of oblique characterisation.
Brilliant
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Tedious
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Just not for me
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