
Wolf at the Door
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Narrated by:
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Matt Addis
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By:
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Sarah Hawkswood
About this listen
All Hallow’s Eve, 1144. The savaged body of Durand Wuduweard, the solitary and unpopular keeper of the King’s Forest of Feckenham, is discovered beside his hearth, his corpse rendered barely identifiable by sharp teeth.
Whispers of a wolf on the prowl grow louder, and Sheriff William de Beauchamp’s men, Hugh Bradecote and Serjeant Catchpoll, are tasked with cutting through the clamour. They must uncover who killed Durand and why while beset by superstitious villagers, raids upon manors and further grim deaths. Out of the shadows of the forest, where will the wolf’s fangs strike next?
©2021 Sarah Hawkswood (P)2021 Allison & Busby LtdAnother great book
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Amazing
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Supet
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Delicious
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loved the idea of the wolf
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Yes you’ve guessed it I love the book and the narrator.
And of course I recommend you read this series starting with book 1.
I love the author’s notes at the end learning the derivation of words and a little of the historical events that inspired the story.
Stop reading the reviews start reading the books in this series
History comes alive
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its a little history lesson to boot.
I enjoyed the continuity from a previous book ,the sub plots of the life as law keepers our three main characters Bradecot, Catchpoll ,wakelin during a perilous time for man or beast.
I don’t think it would matter what order you read these in, the stories I have listened to so far are quite different .
They do follow a pattern .there a crime ,the sheriff and his men need to solve it and prevent further misdeeds. Then if all goes well There’s the saving of a life ,a punishment ( more death)
Yes it can feel a bit predictable at times ,but I quite like that.
its not some mind bending Sherlock style investigation.
It’s bit more basic ,your on a horse all day ,riding through the muck ,and there’s only pottage for tea, oh and there’s possibly a wolf on the loose.
The epilogue explains the author’s inspiration how taking fact to fiction = a gruesome story.
So if you want a slightly different version of a Cadfael style murder mystery give it a go.
Perfect synergy of perfect voice acting and medieval story telling.
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But I'm dismayed that after eight books, she has the same specific problems with her technical delivery. The omnicient narrator is still dragging down the pace, especially in action scenes. Several dramatic reveals fall flat, and there are obvious story beats missing (Like the Chekov's wolf that never goes off). I wonder that after eight books in this series, Hawkswood's editor has yet to talk her through these quite concrete flaws in her craft, because they are fixable.
The creativity is there, but the craft is missing
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