Here's something we love: Hunter Hammersen's "quiet, everyday magic that's easy to overlook. But it's magic nonetheless." She is talking about her "Noteworthy" pattern for a little pouch that looks like a piece of paper because "paper is magic, and the right piece of paper can change the world." When Bootie knit this little gem, it brought her "a bit of happy distraction," and while that did not change the world, it did just what Hammersen promised: it made the world "a tiny bit more comfortable, for just one person, for just a moment. And that's a kind of magic too." This is the power of knitting to take us out of the present and into a timeless moment of making. Hammersen is right--look at the world through the frame of quiet, everyday magic, and you'll find all kinds of magic. And here's a bit of culinary magic: Strawberry Shortcake with a Lemon Curd Cream--an upgrade on the old family favorite that you just have to try.

We also found some magic in Anne Macdonald's account of women knitting in the 19th Century in No Idle Hands: The Social History of American Knitting. While we tend not to think of the Victorian era as particularly "sporty," this was when women started riding bicycles, playing tennis, golf and croquet; they were literally moving more and their clothing had to change to keep up. So they ditched their shawls, corsets and hoopskirts for sweaters and bloomers. Some regarded these new fashions as "ugly and eccentric," but thankfully, they persevered. The specter of a woman knitting was an assurance of womanliness that Mrs. Clorinda Nichols appropriated as she "tended strictly to her knitting" while she "duped male legislators into underestimating her crusade for more liberal property rights for women" at Kansas's first state constitutional convention (p. 143). Brilliant. But in the midst of all this moving and change, many women still found in knitting the space for creative transformation, as author Jane Croly expressed it:

"The little work-tables of women's fingers, are the playgrounds of women's fancies, and their knitting needles are the fairy-wands by which they transform a whole room into a spirit isle of dreams."

Jane Croly on her "view of knitting serenity," quoted in Anne L. Macdonald, No Idle Hands: The Social History of American Knitting, p. 142.

So we hope we offer a little bit of quiet, everyday magic in this episode--it's not changing the world, we know, but if it makes you smile just once, or provides a bit of happy distraction, well, that's the kind of magic we aim to make.