Ben and Rob welcome Annihilation, Alex Garland’s 2018 cosmic horror that proved too complex for the box office despite critical adoration. Starring Natalie Portman as a biologist on a grief-fuelled mission into a zone where DNA scrambles and metaphors get literal, Annihilation is part horror, part elegy, and part existential crisis. Alex Garland’s adaptation of the novel is somehow even bleaker than the source novel, perhaps contributing to it often being considered a poor follow up to Ex Machina.

But what’s so interesting about Annihilation’s five act structure? What’s this about Alex Garland being a True Gamer? Is Annihilation a misunderstood masterpiece or a cosmic screensaver with a bear jump scare? And what does this all have to do with our upcoming live show!?

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Ben and Rob wade into the beautiful mind of Beach Boy Brian Wilson’s mind waters with ‘Love & Mercy’ the biopic that, much like the man, is split right in two. With Paul Dano as the young Brian Wilson crafting Pet Sounds and battling hallucinations, and John Cusack as the older Brian Wilson trapped under the thumb of a manipulative therapist, ‘Love & Mercy’ captures the genius of Brian Wilson, the dysfunction within The Beach Boys, and the line between inspiration and illness.

But why is Ben so deeply emotionally attached to Brian Wilson? Is Paul Dano secretly becoming what Gary Oldman once was? Why was it so hard to be sober in The Beach Boys? And with Brian Wilson sadly passing away this week, are we objectively in a worse world, or is there hope?

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Ben and Rob test ‘Ex Machina’, Alex Garland’s sleek, sterile sci-fi thriller where tech anxiety gets seductive and sinister. Domhnall Gleeson plays Caleb, a wide-eyed coder sent to play assistant to Oscar Isaac’s Natan, a tech genius channeling Elon Musk if he ever got off the bad stuff; but the star of ‘Ex Machina’ is Ava—Alicia Vikander’s uncanny AI creation who may or may not be running her own Turing test on everyone.

The lads crack open the algorithms behind Ex Machina to find out whether this modern sci-fi masterpiece is Alex Garland’s best work—or just a very well-lit panic attack. But who is Alex Garland? Is ‘Ex Machina’ a secret bible camp? Given unlimited funds and no oversight, would we really be so much better than Nathan?

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