Graham tells us what he learned by talking to Sean O'Hagan from the High Llamas when he saw the band at Hebden Bridge last weekend.

Graham has also been watching Fellini's Roma (1972) in Italian! And visiting the new William Morris arts and crafts exhibition in York, which of course Charles has seen too.

The duo comment on the recent announcement that Watermark Gallery in Harrogate is to close. They talk about why they'll be missed and how likely it is they can find new premises.

Graham is suitably impressed by the best sound system he's ever heard at a prog rock event (Pink Floyd against Genesis) he gave at a talk at earlier this week - at the magnificent All Saints Church in Kirkby Overblow in Harrogate.

How much money do famous Christmas songs make on Spotify?

The weird thing about Procol Harum's number 1 hit A Whiter Shade of Pale (1967).

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A massive thank you to all our guests and collaborators, we've made it to our 200th episode!

To mark such a special occasion Charles and Graham are absolutely delighted to welcome Peter Brewis, co-founder of Sunderland indie legends, Field Music.

Peter is here to talk about the new Field Music album, Limits of Language.

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Graham discusses how his Supertramp Q&A session with legendary music producer, Ken Scott went in Harrogate. Ken Scott was shooting from the hip and taking no prisoners.

Graham also reflects on the future of guitar bands as he attended an all-day gig at the Brudenell Social Club in Leeds.

The arts world turned up for the funeral of Beatnik poet Heath Common in Harrogate and Graham was there.

Finally, Charles reports on seeing a bit of a retro gig when he saw Peter Hook and The Light.

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