Showing results by publisher "audible originals" in World Literature

編集者の林田咲は、作家・河合理智子の告別式に参列していた。河合はかつて女性が書いた小説が「女流文学」と称された時代から活躍し、文学史に名を遺した、偉大なる女性作家。しかし、その葬儀はごく質素なものだった――。

Talking While Female & Other Dangerous Acts is a fresh collection of original short stories on themes of risk and resilience, written and performed by Latina womxn across the USA. Curated by Teatro Luna West: America's All Latinx and All Women of Color Theatre Ensemble, these stunning stories are combined with original music by Maria Chavez and poetry by Gabriela Ortega in order to fully transport the listener to each individual life and journey.

Daniel is a freelancer without health insurance or a committed relationship when he suddenly finds himself as the sole caregiver for his dangerously premature daughter. As he grapples with whether he will run from responsibility or grow into fatherhood, he befriends an outspoken neonatal intensive care unit nurse struggling to balance the demands of her job and her own family.

Nazanin and her friends are on the brink of adulthood. As they prepare for a wedding, outside their living room the Iranian Revolution simmers and threatens to alter the course of their lives. Set over the course of 14 years, Sanaz Toossi’s timely world premiere play, directed by Gaye Taylor Upchurch, shines a light on the daring potential of friendship amid the relentless aftershocks of political upheaval.

An Audible Original from Audible Theater, Proof of Love is an Emerging Playwrights Commission, written for and available exclusively on Audible. Constance thought she had a happy life and a loving husband. Suddenly, a tragic accident splinters her upper-class black family - and forces Constance to face uncomfortable truths about her marriage and herself. Proof of Love is the explosive, funny, and moving new one-woman play by Chisa Hutchinson, member of the first class of talent supported by the Audible Playwrights Fund.

Ms. Sun is a charming, cash-strapped teaching artist put in charge of a rambunctious group of 10th graders at a public school in the Bronx. While directing her students in a play, Ms. Sun must lift them up while everything around them is falling apart. Written and performed by acclaimed playwright Nilaja Sun and based on her eight-year experience with arts education in New York City, No Child is an inspiring, multi-character solo show that examines America’s broken school system - and reveals the life and love that fill every classroom.

Two-time Tony Award nominee Eva Noblezada (Miss Saigon, Hadestown) welcomes you to an intimate evening of songs and storytelling–celebrating everything that is so maddening and magical about following your dreams in New York City. Debuting new music and personal reflections for the very first time–Eva’s one-woman show is an invitation to be transported by her rich, powerful vocals and surrender–just for a moment, to your own sense of wonder and nostalgia.

Tori (Grace McLean) aims to be the first woman to row solo across the Atlantic. As a child, she raised her younger brother Lamar (John McGinty), defending him against discrimination and neighborhood bullies. Now, with nothing but her body and a hand-built boat, she squares off with her own tormentor: the ocean.

From the award-winning author of Chemistry comes a sharp and poignant short story that follows a young medical student working in clinical research and grappling with the realities of a future in her chosen field.

Sakina's Restaurant breathes new life into an age old story: the emotive tale of an immigrant coming to New York in pursuit of the American dream. Actor, comedian, and writer Aasif Mandvi originally performed his Obie Award-winning solo show off-Broadway 20 years ago. This past October, the iconic play was reimagined and produced by Audible for a limited run at Minetta Lane Theatre in the West Village of Manhattan. Recorded for an Audible-exclusive audience, listeners can forgo the price of admission and embark on the cross-cultural journey with Mandvi.

Coucou c'est nous qui redéboulons les amis ! Entre deux roulades, voici un tout nouveau numéro d'Hernanani ! Hernanani n'étant pas une hernananiche, nous ne craignons pas d'aborder dans cet épisode les grandes questions, ni même les thèmes "bateau". C'est pourquoi on vous propose un grand écart sur le roman d'apprentissage. Car le roman d'apprentissage, c'est bien plus compliqué que ce qu'on nous en dit au lycée. Big up le Bac de Français les amis ! En avant Milou !

What happens when “The show must go on!”meets a global pandemic? In this illuminating four-part podcast, host Faith Salie looks at the lives affected by 2020’s shutdown of Broadway and the subsequent reopening of productions there and across the country.

"J'ai dix ans", chantait Alain Souchon, alors au sommet de sa gloire. Gros mytho ! Même s'il faut bien avouer que nous rêvons tous d'un jour redevenir les enfants que nous avons été, pour faire des pâtés à la plage, se croire chevaliers en brandissant des bouts de bois, ou cuisiner des frites en plastique sur une dînette dernier cri. Heureusement, la littérature est cette machine formidable qui nous permet de remonter le temps ! Choisissez votre année, et en route pour le passé !

À l'attaque ! En avant mes braves soldats ! Je suis touché ! Continuez sans moi ! Je vais vous retarder ! Où sont mes entrailles ? Ainsi vont les conversations sur le champ de bataille. Cependant, si l'on prend le temps un instant de méditer dans cet environnement pittoresque et hostile, une question se pose : que nous disent les livres qui racontent des guerres fictives ? En quoi s'affranchir du réel et de l'Histoire permet de parler du réel et de l'Histoire ?

Inspired by extensive interviews following the 2014 shooting of Black teenager Michael Brown by white Police Officer Darren Wilson, Orlandersmith gives equal voice and embodies the many faces of a community haunted by injustice, in a country yearning for change. Until The Flood is a tour de force solo performance that explores the dark forces of American history, race, and politics that exploded in the streets of Ferguson, Missouri, and sent shock waves across the nation.

When Howard makes a surprise cross-country trip to visit his college-aged, TikTok-loving daughter, he’s forced to confront the realities of their relationship and the rift between them—a rift caused by Howard’s refusal to face memories of his life as a young man in China.

"Qu'est-ce que je vais faire de tout cet oseille ?" disait le poète. Et la question mérite d'être posée, en effet. Elle le mérite tellement que nombre d'écrivains l'ont posée au fil des siècles. Car l'argent régit notre monde ! Il suffit de voir les parties de Monopoly : vous ne resterez pas longtemps en jeu sans quelques billets et quelques hôtels bien placés. Écoutez cet épisode d'Hernanani, lisez les romans mentionnés, voyez ce que les écrivains vous conseillent, prenez-en de la graine, ne devenez pas fou, et vous serez le roi respecté de la ville (sans passer par la case prison) !

"Alors que vous êtes pépère dans le métro à écouter de la musique, vous sentez une présence - quelque chose ou quelqu'un - vous épier. Vous n'osez pas vous retourner, car vous avez vu suffisamment de films qui collent les miquettes pour savoir que dès qu'on se retourne, on risque d'avoir très mal. Par chance, cette crise de paranoïa ne durera qu'un temps : le temps pour le musicien de métro de passer près de vous, et de vous offrir sa version, toute personnelle, du "Temps des fleurs".

A humanities professor at a liberal arts college is terrified of what she feels is an inevitable act of violence, fearing that one day, she will be the victim of a disgruntled student’s aggression. As a single mother, no one matters more than her little boy. So when a senseless act of violence changes her life forever, she finds herself inexplicably drawn to the very weapon used to perpetrate the crime—and to the irresistible feeling of power that comes from holding life and death in her hands.

Ali Stroker won the Tony Award for Best Featured Actress in a Musical for her role as Ado Annie in a revival of Oklahoma! and before that made history as the first actor in a wheelchair to appear on Broadway. Listeners can now experience her incredible one-woman show as she performs crowd favorites as well as some unexpected songs while telling stories from her life and talking about her personal motto: “Turn your limitations into opportunities.”