Showing titles in Women

Hidden Hands tells the stories of the artisans, artists, scribes and readers, patrons and collectors who made and kept the beautiful, fragile objects that have survived the ravages of fire, water and deliberate destruction to form a picture of both English culture and the wider European culture of which it is part. Without manuscripts, she shows, many historical figures would be lost to us, as well as those of lower social status, women and people of colour, their stories erased and the remnants of their labours destroyed.

In the first-ever history of the world's female buccaneers, Pirate Women: the Princesses, Prostitutes, and Privateers Who Ruled the Seven Seas tells the story of women, both real and legendary, who through the ages sailed alongside - and sometimes in command of - their male counterparts. These women came from all walks of life but had one thing in common: a desire for freedom.

Queen Bees looks at the lives of six remarkable women who made careers out of being society hostesses, including Lady Astor, who went on to become the first female MP, and Mrs Greville, who cultivated relationships with Edward VII, as well as Lady Londonderry, Lady Cunard, Laura Corrigan and Lady Colefax. Told with wit, verve and heart, Queen Bees is the story of a form of societal revolution and the extraordinary women who helped it happen.

Edda Mussolini was Benito's favourite daughter: spoilt, venal, uneducated but clever, faithless but flamboyant, a brilliant diplomat, wild but brave and ultimately strong and loyal. She was her father's confidante during the 20 years of Fascist rule, acting as envoy to both Germany and Britain, and playing a part in steering Italy to join forces with Hitler. From her early 20s, she was effectively first lady of Italy. She married Galeazzo Ciano, who would become the youngest foreign secretary in Italian history.

A radical look at Jane Austen as you've never seen her - as a lover of farce, comic theatre and juvenilia. The Genius of Jane Austen celebrates Britain's favourite novelist 200 years after her death and explores why her books make such awesome movies time after time.

Clarissa Eden, Countess of Avon, wife of Prime Minister Anthony Eden, once famously said: 'For the past few weeks I have really felt as if the Suez Canal was flowing through my drawing-room.' With her impressive intellect and acerbic wit, she was a highly influential muse to many leading figures over several decades.

As a breastfed baby herself, Joanna Wolfarth assumed it would come easily to her when she had her first child. Yet three weeks after the birth, she was back in hospital with an underweight baby, bewildered by the inconsistent advice and myriad problems she was encountering. As a cultural historian, Joanna's impulse was to look to the past. What she discovered, neglected in the archives, amazed and reassured her. She found connection and solace in communities from the past.

Empress Wu Zetian (624-705 AD) was the only woman to be the sovereign ruler of imperial China. A teenage concubine of the Tang Emperor Taizong, she seduced his son while the emperor lay dying. Recalled from a nunnery as part of an intricate court power-game, she caused the deaths of two lady rivals, before securing her enthronement as the Emperor Gaozong's consort. She ruled in the name of her husband and two eldest sons, presiding over the pinnacle of the Silk Road, before proclaiming herself the founder of a new dynasty.

Until the 20th century, art history was, in the main, written by white, western men who tended to write about other white, western men. The idea that women in the West have always made art was rarely cited as a possibility. Yet, they have - and, of course, continue to do so - often against tremendous odds, from laws to religion and the pressures of family and public disapproval. Feminism has shaken up the story of art and, for the first time, cast light on the often-brilliant work by women artists who were often ignored, patronised or marginalised.

Maud West ran her detective agency in London for more than 30 years, having started sleuthing on behalf of society’s finest in 1905. Her exploits grabbed headlines throughout the world, but beneath the public persona, she was forced to hide vital aspects of her own identity in order to thrive in a class-obsessed and male-dominated world. And - as Susannah Stapleton reveals - she was a most unreliable witness to her own life. Who was Maud? And what was the reality of being a female private detective in the Golden Age of Crime?

We all know that the best way to study a foreign language is to go to a country where it's spoken, but can the same immersion method be applied to history? How do interactions with antique objects influence perceptions of the modern world?

Approaching Marie Curie from a unique angle, Sobel navigates her remarkable discoveries and fame alongside the women who became her legacy – from Norway’s Ellen Gleditsch and France’s Marguerite Perry, who discovered the element francium, to her own daughter, Irene, a Nobel Prize winner in her own right. Elements of Marie Curie illuminates the trailblazing life and enduring influence of one of the most consequential figures of our time.

Women in the War beautifully weaves together the oral histories of 10 remarkable women who dedicated their young adulthood to the war effort. From aiding codebreaking at Bletchley Park to plotting the Battle of the Atlantic and working alongside Churchill in the War Rooms below Whitehall, these are the women who helped to defend the Home Front and kept Britain going. Now with the wisdom of age, they look back at how they coped with danger, trauma and stress, and tell how their spirits were fortified by friendship, fellowship and romance.

Figuring explores the complexities of love and the human search for truth and meaning through the interconnected lives of several historical figures across four centuries. Stretching between these figures is a cast of artists, writers, and scientists - mostly women, mostly queer - whose public contribution has risen out of their unclassifiable and often heartbreaking private relationships to change the way we understand, experience and appreciate the universe.

Weaving in and out of these myriad lives, sharing her own memories of otherworldly experiences, Jennifer Higgie discusses the solace of ritual, the gender exclusions of art history, the contemporary relevance of myth, the boom in alternative ways of understanding the world and the impact of spiritualism on feminism and contemporary art. A radical reappraisal of a marginalised group of artists, The Other Side is an intoxicating blend of memoir, biography and art history.

They were told that the only crime they must never commit was to be caught. Women of enormous cunning and strength of will, the Shadow Warriors' stories have remained largely untold - until now. In a dramatic tale of espionage and conspiracy in World War II, Shadow Warriors of World War II unveils the history of the courageous women who volunteered to work behind enemy lines.

Immaculate Forms examines all the ways in which medicine and religion have played a gatekeeping role over women's organs. It explores how the womb was seen as both the most miraculous organ in the body and as a sewer; uncovers breasts' legacies as maternal or sexual organs - or both; probes the mystery of the disappearing hymen, and asks, did the clitoris need to be discovered at all?

At her execution Mary, Queen of Scots wore red. Widely known as the colour of strength and passion, it was in fact worn by Mary as the Catholic symbol of martyrdom. In 16th-century Europe, women's voices were suppressed and silenced. Even for a queen like Mary, her prime duty was to bear sons. In an age when textiles expressed power, Mary exploited them to emphasise her female agency.

The words 'Caesarean Section,' are powerful. They conjure up strong emotions. For some, feelings of doubt, shame and judgement. For others a sense of safety, relief, validation and reassurance. But they are rarely spoken of in the ecstatic tones with which we celebrate so-called natural, or vaginal birth. They are rarely called beautiful, or associated with an innate sense of feminine power. Knotting its way through history, culture, folklore and human experience throughout the world, Thread seeks to reframe the Caesarean Section on its journey through myth, magic and medicine.

Valkyries: the female supernatural beings that choose who dies and who lives on the battlefield. They protect some, but guide spears, arrows, and sword blades into the bodies of others. Viking myths about valkyries attempt to elevate the banality of war - to make the pain and suffering, the lost limbs and deformities, the piles of lifeless bodies of young men, glorious and worthwhile. Rather than their death being futile, it is their destiny and good fortune, determined by divine beings.