Showing results by author "Alfred Tennyson" in All Categories

"Theirs not to make reply, Theirs not to reason why, Theirs but to do and die". A lament of airman, soldier, sailor, and marine throughout history from Lord Tennyson's 1854 poem based upon a charge of British light cavalry led by Lord Cardigan against Russian forces during the Battle of Balaclava on 25 October 1854 in the Crimean War.

Phillip J. Mather's masterful rendition of this timeless classic is a must-listen for any with an interest in and respect for the past.

This is the first of Tennyson's poems to be based on Sir Thomas Malory's Morte d'Arthur. The first draft was composed in 1834, and the finished work was published in Poems (1842). Later Tennyson incorporated the poem into the Idylls of the King (1870) under the title of "The Passing of Arthur". The narrative of this poem was drawn from the third, fourth, and fifth chapters of the 21st book of Thomas Malory's romance.

Death is a subject that few of us talk about, but many think about and more than a few of us dread. Whether it is the actual end of our life’s journey or merely a transit point to heavenly glory, its actual point of impact is, obviously, life-changing. But what do poets think of it? How do their minds tangle with the subject and make sense of this? That’s what we wondered too. Poets as rich and diverse as Tennyson, Hardy, Shelley, and Poe here share their words, thoughts and visions with us.

"The Charge of The Light Brigade" - written in 1854 by one of the great representative figures of the Victorian age, Lord Alfred Tennyson - celebrates the heroism of a British cavalry unit mistakenly ordered to attack a vastly superior Russian stronghold amidst the Battle of Balaklava during the Crimean War (1853-1856), a military conflict between Russia and a coalition of Great Britain, France, the Kingdom of Sardinia, and the Ottoman Empire.

Poetry can capture the imagination in a few short lines but narrative verse or poetry takes the form of telling a story, whether it be simple or complex in a longer form. Among the most ancient forms of poetry, it has widespread roots through almost every culture. In Volume 3 we bring you the classics 'Goblin Market' by Christina Rosseti; 'The Wreck of the Hesperus' by Henry Wadsworth Longfellow; 'The Raven' by Edgar Allan Poe; 'Morte D'Arthur' by Alfred Lord Tennyson; and from 'Horatius' by Thomas Babington Maculay.

Much of Tennyson's poetry is elegiac in nature, featuring characters who have been disempowered by isolation, age, or lack of opportunity. One of the most famous examples of this is the dramatic soliloquy, "Ulysses". "Columbus", written many years later, is also a dramatic narrative. In both cases, the narrators are elderly mariners, who have a long history of daring forays into remote regions, and who are eager to venture forth again but are hampered by lack of opportunity and the effects of aging.

A wonderful selection of classic Christmas poetry from G. K. Chesterton, Henry Vaughan, Elizabeth Barrett Browning, Robert Burns, Lord Tennyson, and many more.

The finest voices reading a wonderful selection of poetry accompanied by selected classical music.

The seas and oceans have a mystical power over us: From a playful day at the beach to the hysterical waves of a storm, this ever-changing element evokes both beauty and fear; its great mass, its shimmering beauty, its raging howl and all in colours from blue to grey to green and crystal clear. In these collections of verse our poets - including Tennyson, Swinburne, Keats, Shelley, and many others - explore the relationship between ourselves and the great mystical waters.

The seas and oceans have a mystical power over us: From a playful day at the beach to the hysterical waves of a storm, this ever-changing element evokes both beauty and fear. Its great mass, its shimmering beauty, its raging howl, and all in colours from blue to grey to green and crystal clear. In these collections of verse our poets - including Tennyson, Swinburne, Keats, Shelley, and many others - explore the relationship between ourselves and the great mystical waters.

In the 28 poems of which Maud: A Monodrama consists, a somewhat mentally fragile young man narrates step by step (almost in stream-of-consciousness) the progress and aftermath of his feelings for Maud, whose father, the owner of the neighboring estate and Hall, he blames for his own father's death and his family's ruin. Many of the themes of the work are related to Tennyson's own experiences and those of his close family.

The legends of King Arthur remained one of Tennyson's major interests during his long life. The Idylls of the King is his longest and most ambitious work read here by Basil Rathbone.

Dylan Thomas, C Day-Lewis and others join together on this unique album to read some of the world's finest poetry by Blake, Wordsworth and Tennyson.

Along with historical narrative, hear rare recordings of some of the most iconic people in history, including Alfred Lord Tennyson, William Edward Gladston, Guiglielmo Marconi, Willaim McKinley, Leo Tolstoy, William Booth, Pope Leo XIII, Sir Robert Baden-Powell, Dr. Frederick Cook, and William E. Peary.

The legends of King Arthur remained one of Tennyson's major interests during his long life. The Idylls of the King is his longest and most ambitious work, read here by Basil Rathbone.

The selection of eighteen poems is taken from Tennyson's first collection, published in 1830. The most famous poem in the collection is Mariana, a dramatic narrative, which, like The Lady of Shalott, describes the tragic fate of an abandoned woman. All the poems feature the elegant euphony for which Tennyson's verse has become famous.

Bitter Lips, Sweet Heart is a unique collection of romantic poetry first assembled by a group of young male college students who got together to read poetry and drink tea every week, thinking themselves spurned romantics and talented poets. Most of the original selections have been forgotten, and the collection has been updated for this simple release with a sense of irony and sheepishness in mature adulthood. May its angst, irony, lust, and innocent affection amuse and entertain you today, just as it did the four nerdy boys who assembled it to communicate.

"Locksley Hall" is a dramatic monologue written in 1835 and published in 1842. Tennyson explained that the poem was not autobiographical but purely imaginary, "representing young life, its good side, its deficiences and its yearnings".

This evocative poem was first published in 1832 but republished in 1842 with extensive alterations.