Showing results by author "Bernard Shaw" in All Categories

In the Greek legend, a sculptor, Pygmalion, created a statue of a woman so beautiful that he fell in love with it. Later the goddess Aphrodite responded to his earnest prayers and brought the statue, named Galatea, to life. Shaw's Pygmalion is a fussy unmarried professor of phonetics, Henry Higgins, who claims that he could train an uneducated person off the street to speak so that he or she could pass as a member of the aristocracy. His Galatea is Eliza Doolittle, who sells flowers at Covent Garden and whose father is a dissipated but cunning vagrant.

This collection contains the following works: Euripides: Medea Sophocles: Antigone Aeschylus: Agamemnon Aeschylus: Eumenides Aeschylus: The Choephori William Shakespeare: The Tragedy of Othello, the Moor of Venice William Shakespeare: The Tragedy of Romeo And Juliet William Shakespeare: The Tragedy of Hamlet, Prince of Denmark, William Shakespeare: The Tragedy of Macbeth, William Shakespeare: A Midsummer Night's Dream, William Shakespeare: The Tragedy of King Lear, William Shakespeare: Antony and Cleopatra.

With Saint Joan, George Bernard Shaw reached the height of his fame as a dramatist. Fascinated by the story of Joan of Arc but unhappy with "the whitewash which disfigures her beyond recognition," he presents a realistic Joan at war not just with British invaders but with realpolitik. This is a masterpiece of the theater of ideas, presented in the most eloquent, vital, human, and moving terms.

Gifted playwright George Bernard Shaw's Saint Joan is based on the life and trials of Joan of Arc whose canonisation occurred shortly before he wrote this play. Based on both substantial information of her life in Medieval France and records of her trial, Shaw characterizes this unique woman caught between the forces of the Church and law in this classic production with a strong cast supporting Siobhan McKenna's fine interpretation of this tragic heroine.

Taking place on a single day in May 1909, a self-made millionaire and his family invite their future nobleman-in-law for a visit to their estate in Surrey, England. In this delightfully clever play, issues of gender, class, politics, and family are all targets for Shaw's keen wit.

They might not have had social media a hundred years ago, but this smackdown by Bernard Shaw on this poor guy is awesome. Also, this is a great way to actually learn what democratic socialism is instead of just throwing it around as a bogeyman buzzword.

George Bernard Shaw embraced the concept of what he called creative evolution. In 1982, after having witnessed the horrors of the First World War, Shaw started work on Back to Methuselah, a large-scale presentation of the story of human development, starting from the Garden of Eden and extended far into the future. The first performance was held in New York in 1922. The five plays included are "In the Beginning", "The Gospel of the Brothers Barnabus", "The Thing Happens", "Tragedy of an Elderly Gentleman", and "As Far As Thought Can Reach".

You Never Can Tell was originally born out of a bet that Shaw couldn't write a "seaside comedy" (a popular theatrical genre at that time). The result is perhaps the most surprising of Shaw's plays, complete with marital mayhem, tangled romance, and even doubtful dentistry. Despite the play's lighthearted tone, it's really another of Shaw's brilliantly observed social treatises, this time in the guise of a light comedy.

"One of Shaw's most enduring works, Pygmalion is an insightful comedy of class relations and perceptions, as played out between a Cockney flower girl and the irascible speech professor who has taken her on as a pet project.

George Bernard Shaw's warm and witty play continues to challenge conventional wisdom about male/female relationships. Candida concerns a beautiful married woman's choice between the two men who love her.

The Emporor of Rome and the Queen of the Nile as only Shaw could have imagined them! He is a self-doubting cynic who is experiencing a mid-life crisis and she is an imperious and impertinent child on the threshold of womanhood. This recording also includes Shaw's alternate Prologue and his post-text notes.

In this allegorical play, the eccentric Captain Shorover's home hosts a cast, each of whom represents some evil in the modern world.

A Cockney flower girl is transformed into a charming woman of the world by a professor of phonetics. This is the play that was later to be adapted as the musical, My Fair Lady.

Bernard Shaw based his "religious pantomime" Androcles and the Lion on the ancient fable of the runaway slave who pulls a painful thorn from a lion's paw, thereby making a lifelong friend. This tale of a puny Greek tailor triumphing over the Roman emperor is, as always with Shaw, a commentary on the politics of his time, with the emperor standing in for the British government and, indeed, all repressive regimes.

Children, if they are to grow up as citizens, must learn a good deal that their parents could not teach them even if they had the necessary time. The statesman must make provision for this teaching or he will presently find himself faced with the impossible task of maintaining civilization with savages instead of citizens

Making his way to a tryst with his "dark lady" near the royal palace the young playwright William Shakespeare encounters a mysterious woman in a cloak. Mistaking her for his lady friend, he accosts her in a familiar fashion, only to discover, to his dismay, that she is in fact the queen. He overcomes his initial discomfort, and takes advantage of the situation to make a petition for royal support to establish a national theatre.

The play Don Juan in Hell originated as Act 3, Scene 2, of Man and Superman and is a spirited debate between Heaven and Hell. It was written by Irish playwright and a master of social commentary George Bernard Shaw (1856 – 1950), who is probably most famous for Pygmalion amongst his 60 plays. This famous performance features Charles Boyer as Don Juan, Charles Laughton as the Devil, Cedric Hardwicke as the Commander, and Agnes Moorehead as Doña Ana.

Henry Higgins, un profesor de fonética arrogante, apuesta que puede transformar a Eliza Doolittle, una vendedora de flores de baja clase con un acento grueso, en una dama de la alta sociedad mediante el refinamiento de su habla. A medida que Eliza se somete a esta metamorfosis, la obra despliega un agudo comentario sobre las rígidas estructuras de clase y el poder del lenguaje.

Immerse yourself in the brilliant wit and thought-provoking wisdom of playwright and critic George Bernard Shaw with this wondrous collection featuring 100 quotes that encapsulate Shaw's genius and his timeless relevance. From sharp social commentary to inspiring words on art, politics, and life, this collection is sure to captivate, challenge and inspire you.

Henry Higgins, a phonetician, agrees to coach and groom Eliza Doolittle, a Cockney flower girl and transform her into a socially acceptable person, no less than a duchess - in just six months! Timeless themes of equality and social class are explored in a lighthearted, comical manner, raising many questions such as: Can Eliza "I'm a good girl I am!" live up to their expectations? What will become of her afterwards?