Showing results by narrator "Jack Wynters" in All Categories

Mankind is on the brink of extinction. A deadly plague sweeps the globe like a tsunami, causing the dead to rise and prey on the living. While one brother fights his way home through the horrors and confusion of a savage landscape from the meat grinder that is Iraq, the other finds himself as the leader of a ragtag band of survivors striving to survive against the onslaught of the dead.

The Canterbury Tales is a collection of stories, written in the Middle English vernacular, supposedly told among a group of pilgrims traveling from London to Canterbury. Chaucer uses the form, possibly based on knowledge of Boccaccio’s Decameron gained on a visit to Italy in 1373, to provide a highly varied portrait of his society, both secular and religious. The journey of the pilgrims, unlike that of, say, Homer’s Odysseus or of Dante in the Divine Comedy, is relatively unimportant compared to the tales themselves, where Chaucer’s true interest lies.

George Gershwin thinks he could do better, better than Broadway. Ira Gershwin disagrees, why get funny ideas about writing po-faced piano concertos that no one hears, when you’re already getting much respect and much money (and much female attention) from writing hit shows? But what George wants George gets, and soon the brothers are travelling to Europe to meet French maestro Maurice Ravel - you know, a real composer.

Who Am I? is one of Norman Grubb's textbooks for what he came to call Total Truth, a full satisfaction, a rational meaning to all life, a foolproof workable key to daily living, a road map that I could unfold to a fellow traveler and say, "This is the way". Standing on the Scriptures as his final authority, Mr. Grubb explores in a clear and practical way who we are, why we are, how we can be ourselves, and what our destiny is, which is "Christ in you, the hope of glory".

The Dead have conquered the Earth, devouring and destroying everything in their path as mankind is brought to the edge of extinction. After battling their way out of Baghdad, across the Middle East and into Europe, Marcus and what is left of his team are close to reaching their final objective. Now, they must continue their struggle against the hordes of rotting corpses that stand in their way as they travel the wasteland that had once been their home.

Gwendolyn Lambert's family was reduced to penury after her father was disgraced and killed in a duel. Gwen and her invalid mother survive on a mere pittance in the city of Bath. Her mother's cousin, the Dowager Duchess of Loring, is determined to see Gwendolyn taken care of and restored to her rightful place, but she does not have any use for society after her family was treated ill by them. But the savvy dowager has a few tricks up her sleeve, including her handsome and charming grandson. Unfortunately, she did not count on him being sent to America.

According to legend, Annas Zevi, an artist who witnessed the raising of Lazarus, was told by Christ to paint what he saw. Over the centuries, his completed works have vanished, along with every other painting depicting Lazarus' resurrection. They were rumored to be sacred icons with miraculous powers. International art recovery experts Broderick Ladro and Ulla Stuart are hired by a disgraced high court judge, Sir Maxwell Throgmorton, to locate a long lost medieval painting by Spanish artist Francisco Cortez. Like Zevi, his work is said to be divinely inspired.

Victoria was a young, naïve, single school teacher. Her only desire was to be respected at her job. The boys in her class teased and jostled for her approval. At first it appeared little more than classroom banter. All teachers were warned that it was every young boy’s dream to entice a young, pretty teacher into a sexual tryst. Very soon male students became rivals.

The word avant-garde, so much used in connection with the various manifestations of contemporary art, is starting to have a strange, ironic ring to it. One might even claim that it is starting to signify what is behind the times, rather than in front of them. Like all such terms, it is in fact a metaphor, rather than a direct description. Borrowed from old-fashioned military terminology, it seeks to describe a situation where social norms are being perpetually challenged by artists. In the military sphere, where it originated, it is long out of use.

Yes, I Am is Norman Grubb's last and most comprehensive work on the union of Christ and the believer -"Christ in you, the hope of glory." Here he explores the great foundational truths of what he called "Total Truth" - the nature of God Himself, the true nature of man, the fall of man, and our two-fold redemption through the blood and body of Christ. Finally, he shares clarifications on the pivotal Romans 6-8, chapters he has dug into "a thousand times". demonstrating how to live "as the free men in Christ we've been redeemed to be."

On 28th June 1914, Archduke Franz Ferdinand and his morganatic wife, Sophie Chotek, were shot dead in broad daylight on a crowded street in Sarajevo. The murder of a relatively unknown archduke in a remote Bosnian city might well have been quickly forgotten were it not for the fact that this seemingly minor event ignited a spark that would explode into one of the bloodiest conflicts in history. Within four years, over sixteen million people from one hundred countries would lie dead on the battlefields.

Norman Grubb, the son of an Irish clergyman, was born in England in 1895. He served as a lieutenant of the Bloucester Regiment, receiving the Military Cross for his service during World War I. Following the war, he attended Trinity College, Cambridge, and married Pauline Studd, the youngest daughter of the famous missionary C. T. Studd. The Grubbs served as missionaries in the Belgian Congo where Norman translated the New Testament into Bangala. After Studd's death in 1931, Norman served as British General Secretary of the Worldwide Evangelization Crusade until 1965.

Norman Grubb's life demonstrated that he knew "how to walk the broad road of faith, how to save and maintain that touch with God, that living fruitful union with Him which in infinite grace and condescension He has given us as our inheritance in Christ." In The Law of Faith, Norman felt that he was "passing on to others the most precious secrets that God has taught [him]."

The Dowager Duchess of Loring had finally married off all her grandchildren and was now uncertain about what her future held. When she accompanies her grandson and his new wife on a trip to Italy, a chance encounter with a past love turns her world upside down.

Spring 1917 - the war has been raging for over two and a half years, and neither the Central Powers (Germany, Austria-Hungary, and Turkey) nor the Entente (Britain, France, Russia, and Italy) are any closer to a decisive victory. In Russia, the Revolution and enforced abdication of the Tsar has left the country in the shaky hands of the Provisional Government, but as the Bolsheviks begin to seize power, it is clear that behind the scenes, something rather sinister is occurring.

Our three heroes are born on three adjacent beds, a mere three seconds apart. United by a shared nature, they often feel each other’s emotions as if those emotions are their own. When a fire burns through their homes, killing their families, they are cast apart. Mayer is adopted by a wealthy couple, Archibald by a loving uncle and aunt, and Hugo is dumped in the workhouse.

Written in the Middle English of the late 14th century, Sir Gawain and the Green Knight survives in a single manuscript which also contains three religious poems including "Pearl", written it seems by the same author, who is therefore referred to as The Pearl Poet. The poem tells the story of an incident at the court of King Arthur, involving Sir Gawain’s acceptance of a challenge from the mysterious Green Knight, and leading to a test of his chivalry and courage.

Composed around 1294 in Italian, the Vita Nuova tells the story of Dante's encounters with and love for Beatrice, culminating in her early death and its effect upon him. Utilizing and developing the conventions of courtly love, in a mixture of prose and verse, Dante deepens the emotional content of the genre, while pointing the way towards the intellectual and spiritual journey of the Divine Comedy.

Boomer tells the story of a generation born in the immediate aftermath of the Second World War and whose members, the Baby Boomers, are now in their mid to late seventies. It is a generation that has experienced more technological, social, and cultural changes than any other in history.

In God Unlimited, Norman Grubb delves into ultimate reality—"the extreme, the absolute, the revelation...that there is only one person in the universe, and that is God himself". From this startling conclusion Norman proceeds to the true nature of man and his sole function, God's twofold redemption to rescue and restore his fallen creation, spontaneous living in the fourth dimension, and the privilege of membership in priesthood of the redeemed through whom God continues his intercessory work on behalf of his creation.