Showing results by narrator "Gabrielle Baker" in All Categories

When Lady Eleanor "Nell" St. George arrives in Wales after serving as a veterinarian in the Great War, she doesn't come alone. With her is her former captain's beloved warhorse, which she promised to return to him. She wants only to complete her task, then find refuge with her family, but when Nell meets the captain's eldest daughter, all that changes.

Mina Wilde is thrilled to be invited to a prestigious writers' retreat at Meddleworth House. Heathcliff, Morrie, and Quoth decide to come along to keep her company and indulge in some of the estate's activities. Mina is excited to get feedback on her first novel, but her dreams of writing stardom are shattered when the other writers tear her work to pieces. A little criticism never hurt anyone, right? Wrong. Their picturesque country holiday soon turns deadly when a violent storm closes in. As the writers gather around the fire to critique each other's work, the power goes out.

Anna's life's in a bit of a rut. As a teacher with two great kids and a boyfriend, she seems to have it all. Except...she's bored as hell. Perhaps a new hobby's in order? Something...crafty? Divorced mother and veteran Ollie has been through the wars, emotionally and physically. To relax, she runs a quirky crochet class in her London craft shop. She can't help but notice the attractive, feisty new student. A shame Anna's straight as an arrow. But somewhere between the chain stitches, doubles, and trebles, Ollie and Anna form a powerful connection they never expected.

In June of 1961, A. E. Hotchner visited an old friend in the psychiatric ward of St. Mary's Hospital. It would be the last time they spoke: a few weeks later, Ernest Hemingway was released home, where he took his own life. Their final conversation was also the final installment in a story whose telling Hemingway had spread over nearly a decade.

London 1884. When a thief robs Fleet Street reporter Penny Green, she finds herself caught up in a horrifying murder. Someone is terrorizing the residents of St Giles Rookery, and Scotland Yard sends Inspector James Blakely to investigate. When the serial killer claims a victim outside the slums, Victorian London is sent into panic. Can Penny's friendship with the people of St Giles uncover the culprit? She and James must overcome their complicated relationship to work together, but each new murder threatens to derail their work for good.

Skilled surgeon Veronica Mallick runs her London hospital department like she runs her surgeries: with hawkish efficiency. Then her perfect world is turned upside down by the arrival of a new Head of Trauma. Cassie Taylor is a brash, no-nonsense army surgeon, fresh from the front lines, and trying to find her way in civilian life. She's all action and sharp edges, not too interested in rules. She's even less interested in bureaucracy, or playing nice with her uptight, paper-pushing colleague, Veronica.

Alarmed by the sound of an intruder, Rose St. Claire fetches her pistol. She's shocked to discover that the trespasser is a handsome gentleman—one who states that the house, which Rose recently inherited from her late benefactor, was stolen from his father decades ago. He claims it is now his. And it is—but not entirely. As it turns out, Hammond Court has been left to them both—and neither can evict the other without forfeiting their right to the property.

Wherever you look, money is being replaced by tokens. Digital platforms are issuing new kinds of money—like things, from phone credit, to shares, gift vouchers, game tokens, and customer data. These tokens are used to turn invisible stuff into assets, to pay wages, to track purchases, and to program and specify the terms of financial and political access and inclusion. What does it mean when online platforms become the new banks? What new types of control and discrimination emerge when money is tied to specific apps, or actions, politics, or identities?

Lady Selina Bellamy is much more than a pretty face. And it's about time everyone realized it. Being the sweet, biddable, pretty sister isn't as easy as one might think. Selina knows this all too well. Love? That was never a possibility for her. Not when she was expected to marry a wealthy man and save her entire family from financial ruin.

One impending apocalypse. Several crazy faeries. A few troubling plagues of locusts and storms of fire... It's just another day in Manchester for the Madhatter. Madrona might still have amnesia and might yet prove to be a vicious murderess but that doesn't mean she's going to quit being a heroine just yet. However, while she might be prepared to go to any lengths to stop Rubus from triggering Armageddon, it's equally possible that the world will end as a result of her actions too. Manchester is experiencing terrifying surges in magic.

Luckily, Mina Wilde loves him anyway, as well as her two other literary boyfriends—the 'Napolean of Crime,' James Moriarty, and Poe's contemplative raven, Quoth. It's tough buying the perfect Christmas gifts for three lovers, but Mina's determined to make this year the best Christmas Nevermore Bookshop has ever seen. That is until the charity Christmas tree and all the presents donated by the village go missing. Heathcliff's grinching makes him the obvious culprit, but Mina knows Heathcliff isn't mean enough to steal gifts for the animal shelter . . . or is he?

One wondrous faery with stupendous magical skills and a superior mind (not to mention incredible modesty). One drop-dead gorgeous, green-eyed stud muffin and his evil Fey brother. And the end of the world. Maybe.

Lord Roland Crewe wants nothing to do with love or romance. He's already proven he's a terrible husband-twice!-and has no interest in doing it again. But for some reason, he struggles to remember that when he's with Aurelia. He knows a scarred, hardened man like him has nothing to offer a beautiful young idealist like her. So, why can't he stay away?

A woman dies in a burglary in Fitzrovia. A man is murdered in an opium den in Limehouse. Gutsy Fleet Street reporter Penny Green suspects the two deaths are connected, but how can she prove it? The answer may lie in Whitehall where the India Office reaps the benefits of Britain's opium trade. But when Inspector James Blakely of Scotland Yard begins investigating, an unforeseen danger looms. Soon Penny is forced to act alone and is put to the ultimate test when her quest becomes personal.

A Victorian wife has obligations to her husband and home. But Penny Blakely is no ordinary Victorian wife. When a house in Penny's neighborhood is gutted by fire, she learns of a connection to an unsolved murder. Penny will always be a news reporter at heart and the mystery is impossible to ignore. How did a young, middle-class lady fall from grace? And who killed her? Penny's search for the truth takes her to London's East End and a notorious street once known as the Ratcliffe Highway.

Rescued by ruin, American heiress Daisy Vanreid is desperate to avoid marriage to the aging aristocrat her abusive father chose for her. She'll do anything, even entrap the notorious Duke of Trent into marriage, to escape her fate. Losing her heart to her handsome husband after the wedding isn't part of the plan. Nothing is as it seems.

The expectation used to be that men would be masculine and women would be feminine, and this was assumed to come naturally to them in virtue of their biology. On this view, sex is gender and gender is sex. A new view of gender has emerged in recent years, a view on which gender is an "identity," a way that people feel about themselves in terms of masculinity or femininity, regardless of their sex. On this view, sex is dismissed as unimportant, and gender is made paramount.

Maggie, Marchioness of Sandhurst, is trapped in a loveless marriage of convenience. Her husband refused to consummate their union, and she hasn't seen him in over a year. But she has a plan to win back her freedom. All she needs to do is create the scandal of the century. Simon, the Marquis of Sandhurst, vowed he'd never touch the wife he didn't want. When he seeks pleasure in the arms of a masked siren at a wicked country house party, he's shocked to discover the woman in question is actually his marchioness. Will their marriage of convenience become a love match?

Some say the Hotel Tempesta is cursed, but its owner, Mr. Gallo, refuses to believe it. When he's brutally murdered one night, the suspicion falls on his guests. Ten suspects in total. And Penny Green is one of them. Does Mr Gallo's murder have anything to do with the criminal mastermind on the run from America? Penny and Inspector James Blakely must negotiate a world of courtesans, stolen paintings, and secret codes to prove Penny's innocence and uncover the truth.

London 1885. A gang of lady thieves is targeting Piccadilly's wealthy shoppers and no one seems able to stop them. As frustrations build, the body of a young woman is pulled from the River Thames. Reporter Penny Green has a lot to write about, and she faces a new challenge when a stranger approaches her with a riddle. Could it lead to a killer?