Showing results by narrator "Gabrielle de Cuir and Stefan Rudnicki" in All Categories

Civilization has an off switch. The Russians call it Lunnaya Pesnya. Moon Song. They bring the device aboard the International Space Station disguised as an experimental electromagnetic propulsion system. Just a harmless EmDrive prototype, ferried into space for testing in microgravity. But the device is not what it appears to be, and it’s far from harmless. When military cosmonauts hijack the ISS, Russia’s plans of global conquest are revealed. Moon Song is a game-changing electromagnetic pulse weapon, capable of attacking any location on Earth from orbit.

From the haunted hills of Roman Britain to the sewers of occupied Warsaw … in the bloodied streets of Revolutionary Paris, and the anarchy World War II Shanghai … out of the wilds of America, India, Africa and Europe … down the long savage darkness of the centuries, monsters have fed upon us. They are shapeshifters, vampires, sorcerers and spirits—things named only in myth, and things for which we have no name. They are our demons, our reflections, our desires and our nightmares. And all too often, they are … only human.

A billionaire scientist, driven by the unsolved murder of his wife and daughter at the hands of religious extremists, offers his newly developed Fountain of Youth Pill to the world free of charge - under condition that the recipient abandons any and all support of religion. His goal is the creation of a global utopia based on science and reason, but has he underestimated religion's power for good in the world? Will its destruction threaten the very Armageddon he seeks to prevent?

When the black elf king comes calling, / Hide your children and your gold, / When dead men hunger, outside, the bitter cold, / When trolls venture down from mountain peak, / Hold tightly your bones, for them they seek. / Beware they who thirst on island bleak, / The Regent to come and scourge your keep, / The Black Hand will stalk you, their ranks ever deep, / And Thetan will be there, of his wrath you will weep, / The Harbinger of Doom, your soul to reap.

The year is 1666. The king and parliament vie for power, fighting one another with politics and armies alike. Below, the faerie court has enemies of its own. The old ways are breaking down, and no one knows what will rise in their place. But now, a greater threat has come, one that could destroy everything. In the house of a sleeping baker, a spark leaps free of the oven - and ignites a blaze that will burn London to the ground.

Professor Augustus S. F. X. Van Dusen, with the help of his friend newspaper reporter Hutchison Hatch, solves a variety of mysteries using cold, hard logic. No matter how twisted the trail of clues or how clever the perpetrator, Professor Van Dusen, aptly dubbed “The Thinking Machine”, reminds us that “two and two make four, not some times, but all the time”.

Clementine is a seventy-two year-old reformed con artist with a penchant for impeccably tailored suits. Her life of crime has led her from the uber-wealthy perfume junkies of belle epoque Manhattan, to the scented butterflies of Costa Rica, to the spice markets of Marrakech, and finally the bordellos of Paris, where she settles down in 1930 and opens a shop bottling her favorite extracts for the ladies of the cabarets.

A realm at war. The star dragons struggle under the oppression of an unseen foe—a creature of terrible power, who seeks to shape all of space-time into a web of subjugation and death. The Dream Mountain, source of knowledge and life to the dragons, is held by the enemy; and yet, hope burns in the dragons’ hearts.

Witness as Arsène Lupin boldly makes a name for himself as a gentleman-thief in “Madame Imbert’s Safe” and “The Queen’s Necklace”. In “The Arrest of Arsène Lupin”, passengers onboard a transatlantic steamer fear for their valuables when the captain announces that Arsène Lupin has snuck onto the ship...and he could be disguised as anyone. Just when it seems like there is no match for him, Lupin goes head-to-head with the famous English detectives Sherlock Holmes and Herlock Sholmes.

Analog Science Fiction & Fact Magazine has provided four edgy stories about heroism, each exploring emotional dimensions uncommon in this or any other genre.

Micah Abrams has been transformed. No longer the bully who tormented David Donner, he faithfully follows a divine mission to spread hope and healing across the ashy wastelands of the Pacific Northwest. But when Sera Donner is taken from him once again, doubt comes prowling for Micah's own soul, and he makes a shocking choice that changes everything. Running from an enemy he once believed couldn't destroy him, adrift in a lawless land where people will do anything to survive, Micah must come to grips with a God whose power is perfected in weakness.

Assembled and edited by Julian Hawthorne and first published in 1907, the Old Time English volume of The Lock and Key Library features ten classic mysteries and ghost stories by Charles Dickens, Edward Bulwer-Lytton, Thomas de Quincey, Charles Robert Maturin, Laurence Sterne, and William Makepeace Thackeray. This volume of The Lock and Key Library is sure to haunt and charm fans of ghost and detective mysteries alike.

Science fiction dwells mostly in the realm of possibility, where mysteries proliferate nevertheless, meaning is never static, and “time and history have convinced us that things are not as they seem”. So, too, does all language, argues Samuel Delany, in his vigorous justification for the writing life. Chronicling his struggle with dyslexia, the evolution of his gay and Black identity during the AIDS crisis, and his experiences and relationships through five decades as a writer of fiction and nonfiction, Delany is a longtime observer of language’s inner workings.

Here are six stories from the January and February 2003 issues of The Magazine of Fantasy & Science Fiction, at once more current and more human than today's headlines.

In this compilation from Skyboat Media, composers and artists, miners and soldiers, tinkerers and amateur psychologists must fend for themselves in the struggle for their own “ideal” wherein they may find either happiness and salvation, or tragedy and madness. Originally published in German from 1816-1818 and in English from 1885-1908.

This portrait of Mari Sandoz’s pioneer father grew out of “the silent hours of listening behind the stove or the wood box, when it was assumed, of course, that I was asleep in bed. So it was that I heard the accounts of the hunts,” Sandoz recalls. “Of the fights with the cattlemen and the sheepmen, of the tragic scarcity of women, when a man had to ‘marry anything that got off the train,’ of the droughts, the storms, the wind and isolation. But the most impressive stories were those told to me by Old Jules himself.”

Originally published in 1951, the story is set on the Northumberland moors, where Daphne Hazel appears to cross the boundaries of time, becoming involved with terrifying personalities from the mysterious past.

Lord Angle Theta, Claradon Eotrus, and Ob the gnome battle fanatical monks, deadly bounty hunters, and otherworldly fiends whose slightest touch is death, in their relentless pursuit of Korrgonn, Lord of Chaos. Meanwhile, Korrgonn stops at nothing to acquire the fabled Orb of Wisdom, that ancient talisman that can return Azathoth and his kingdom to Midgaard. But the fate of the world turns when Claradon faces DeBoors, the ancient sword-master who has sworn to slay him.

Years after a war that destroyed America, Sam Monson, the governor of the state of Deseret, negotiates a peace treaty with a woman out of his past - on behalf of the son he left behind.

This story is included in Orson Scott Card's collection The Folk of the Fringe.

Michael B. Koep’s final installment in the Newirth Mythology trilogy brings a psychologist face to face with his greatest fear: madness. On the other side of the world, a professor of mythology struggles to interpret a sudden shift in the historical timeline, the mysterious discovery of the ruins of an ancient city, and the anomalous nature of Loche’s writing.