Showing results by narrator "Liza Ross Ross" in All Categories

>Little Women, closely based on Louisa M. Alcott’s own experience of family life, was first published in 1869 and has never lost its extraordinary power to move and delight - from the heartrending story of gentle Beth to the humorous adventures of tomboyish Jo, and Meg’s vain attempts to cut a fashionable figure in "society".

Here are eight stories from master American writers of the 19th century. They vary from sinister tales by Ambrose Bierce - why is that window boarded up? - and a reflective moment in the life of a woman without children, but forced to look after children, to classic short stories by O. Henry and Stephen Crane. There is even an elegiac description of an eclipse by James Fenimore Cooper, author of The Last of the Mohicans.

This is the moving and powerful story of Edna Pontellier, a beautiful young wife and mother who discovers her true feelings and identity through her love for Robert Lebrun, and in so doing challenges the bourgeois assumptions of her day. First published in 1899 in America, it prompted shock and outrage, but has since come to be recognized as a modern classic.

The art of writing a short story can be barely noticed by a reader or listener - such is the quality with which they are usually written. It is a difficult trade, an unforgiving discipline, but for those who master it, the rewards are many. In this series of works by our greatest female writers, we bring you a selection of those we consider the best. In Volume 2 we bring you the classics 'The Yellow Wallpaper' by Charlotte Perkins Gilman and 'Roman Fever' by Edith Wharton.

The art of writing a short story can be barely noticed by a reader or listener - such is the quality with which they are usually written. It is a difficult trade, an unforgiving discipline, but for those who master it, the rewards are many. In this series of works by our greatest female writers, we bring you a selection of those we consider the best.

A young typist drinks poison substituted for the medicine left for her by the nurse. The patient insists she was not trying to commit suicide, the nurse asserts her innocence: but no-one else could have got into the room and tampered with the glass . . .

One day a hunter came across a pair of mandarin duck, oshidori, swimming together in a river that he was about to cross. To kill oshidori is not good; but Sonjô happened to be very hungry, and he shot at the pair. His arrow pierced the male: the female escaped into the rushes of the farther shore, and disappeared. Sonjô took the dead bird home, and cooked it. That night he dreamed a dreary dream.

We are captivated by colour. It seeps into our emotions, our vistas. It’s part of everyday life. Sometimes its part of something much darker. Our eminent authors in this volume bring you colours of every shade. From the terror of HP Lovecraft and the shadowed world of Edith Nesbit to the wordplay of Virginia Woolf - as well as many others. Color in all its light and shades, hues and tints is brought to the fore by these exceptional writers.

Represented here are 16 short stories by seven great American writers, dating from the 19th and 20th centuries. Different in atmosphere and writing style, they nevertheless caught the mood and concerns of the day in a way that was distinctly American.

The art of writing a short story can be barely noticed by a reader or listener - such is the quality with which they are usually written. It is a difficult trade, an unforgiving discipline, but for those who master it, the rewards are many. In this series of works by our greatest female writers we bring you a selection of those we consider the best. In Volume 1 we bring you the classics 'A Dill Pickle' by Katherine Mansfield, 'The Storm' by Kate Chopin, and 'The Sexton’s Hero' by Elizabeth Gaskell.

Libby’s life seems picture-perfect. She lives in her dream home, raising two precious children and supported by her loving husband, Victor. Sure, he’s away a lot with his job, but she has always accepted that he works hard to make their beautiful life possible. But then, one day, Victor asks for a divorce, and suddenly Libby’s whole world falls apart. Libby never expected to find herself a single mom, and when she receives a letter from the bank, it’s clear that Victor hasn’t been paying the mortgage. Her husband has been keeping secrets from her, and this isn’t the only one.

Art and life. Each the mirror of the other. This then is the classic definition of what ‘Realism’ as a writing form really is. Some might call it a fancy term for the mundane day to day pursuits but in the hands of an author it comes alive. We are drawn into characters and landscapes that we can empathize with, we can, metaphorically speaking, help shoulder their burden, be on the long trail with them whatever the landscapes, the hurdles, incidents and other people may place in their literary way.