Chinese Family

Shanghai, 1912. Violet Minturn is the privileged daughter of the American madam of the city's most exclusive courtesan house. But when the Ching dynasty is overturned, Violet is separated from her mother in a cruel act of chicanery and forced to become a "virgin courtesan." Half-Chinese and half-American, Violet grapples with her place in the worlds of East and West - until she is able to merge her two halves, empowering her to become a shrewd courtesan who excels in the business of seduction and illusion, though she still struggles to understand who she is.

The history of the Yan family is inseparable from the history of China over the last century. One of the most influential businesswomen of China today, Lan Yan grew up in the company of the country's powerful elite, including Zhou Enlai, Deng Xiaoping, and other top leaders. In recounting her family history, Lan Yan brings to life a century of Chinese history from the last emperor to present day, including the Cultural Revolution which tore her childhood apart. The little girl who was crushed by the Cultural Revolution has become one of the most active businesswomen in her country.

A Chinese proverb says, "Falling leaves return to their roots." In Chinese Cinderella, Adeline Yen Mah returns to her roots to tell the story of her painful childhood and her ultimate triumph and courage in the face of despair. Adeline's affluent, powerful family considers her bad luck after her mother dies giving birth to her. Life does not get any easier when her father remarries. She and her siblings are subjected to the disdain of her stepmother, while her stepbrother and stepsister are spoiled.

From within the hopelessness and terror of China's Cultural Revolution, Dai Sijie has fashioned a beguiling and unexpected story about the resilience of the human spirit, the wonder of romantic awakening, and the magical power of storytelling. "An unexpected miracle," raves the Los Angeles Times Book Review, "a delicate, and often hilarious, tale."

It is 1938 in China, and the Japanese are advancing. A young mother, Meilin, is forced to flee her burning city with her four-year-old son, Renshu, and embark on an epic journey across China. For comfort, they turn to their most treasured possession - a beautifully illustrated hand scroll. Its ancient fables offer solace and wisdom as they travel through their ravaged country, seeking refuge. Years later, Renshu has settled in America as Henry Dao. His daughter is desperate to understand her heritage, but he refuses to talk about his childhood.

At the start of the 20th century in China, the Hans were married in an elaborate ceremony before they were even born. While their future was arranged by their families, this couple had much to be grateful for. Not only did they come from similar backgrounds - and as such were recognized as a good match - they also had a shared passion in their deep love of ancient Chinese poetry. They went on to have nine children and chose colours portrayed in some of their favourite poems as nicknames for them - Red, Cyan, Orange, Yellow, Green, Ginger, Violet, Blue and Rainbow.

China, 1957: Chairman Mao has declared a new openness in society. “Let a hundred flowers bloom; let a hundred schools of thought contend.” Many intellectuals fear it is only a trick, and Kai Ying’s husband, Sheng, a teacher, has promised not to jeopardize their safety or that of their young son, Tao. But one July morning, just before his sixth birthday, Tao watches helplessly as Sheng is dragged away for writing a letter criticizing the Communist Party and sent to a labor camp for “reeducation”. Once again, Tsukiyama brings us a powerfully moving story of ordinary people facing extraordinary circumstances with grace and courage.

In this jaw-dropping, darkly comedic memoir, a young woman comes of age in a dysfunctional Asian family whose members blamed their woes on ghosts and demons when in fact they should have been on antipsychotic meds.

Asta Fung is sixteen and sulky. Her parents have moved the whole family to take over the Yau Sum takeaway in another town so Grandpa Charlie can be closer to the big hospital. She's had to give up her dog, her friends, her familiar teenage life. All too soon, she has to give up Grandpa Charlie too. What was the point? When the builder's son, Josh, hands her a bundle of love letters he found under the floorboards, Asta realises they were hidden there by Grandpa Charlie as a young man.

The ancient Chinese philosopher Mencius compared children to tender sprouts, shaped by soil, sunlight, water, and, importantly, the efforts of patient farmers and gardeners. At times, children require our protection, other times we must take a step back and allow them to grow. A practical parenting manual, philosophical reflection on the relationship between parent and child, and necessary response to modern stereotypes of Eastern parenting, Little Sprouts and the Dao of Parenting reconsiders cultural definitions of success....

Nainai has lived in Shanghai for many years, and the time has come to find a wife for her adopted grandson. But when the bride she has chosen arrives from the countryside, it soon becomes clear that the orphaned girl has ideas of her own. Her name is Fu Ping, and the more she explores the residential lanes and courtyards behind Shanghai’s busy shopping streets, the less she wants to return to the country as a dutiful wife. As Fu Ping wavers over her future, she learns the city through the stories of the nannies, handymen, and garbage collectors of postwar Shanghai....

钱是会走路的，即使你把钱压在箱子里，抱在被窝里，换成金银股票放在保险柜里，都挡不住钱会像长脚一样走来走去。投资理财，就是要专找那些别人看不见，正在走路的钱。贝版记录了老中代代传下来的五条理财真经：提高信用分数、避免超前消费、开二手车、亲自维修、不打官司多运动。

Twenty-two-year-old Charlie Wong grew up in New York's Chinatown, the older daughter of a Beijing ballerina and a noodle maker. Though an ABC (America-born Chinese), Charlie's entire world has been limited to this small area. Now grown, she lives in the same tiny apartment with her widower father and her 11-year-old sister, and works - miserably - as a dishwasher. But when she lands a job as a receptionist at a ballroom dance studio, Charlie gains access to a world she hardly knew exis.

A brother competes for gaming glory while his twin sister exposes the dark side of the Communist government on her underground blog; a worker at a government call centre is alarmed one day to find herself speaking to a former lover; a delicious new fruit arrives at the neighbourhood market, and the locals find it starts to affect their lives in ways they could never have imagined; and a young woman's dreams of making it big in Shanghai are stalled when she finds herself working as a florist.

All of Jimmy's wishes come true, including arguing his friend's case before the highest court in this galaxy, but there are prices to pay and Jimmy's life hangs in the balance. Love is tested and irrevocable choices are made.

In this first-ever translation of Lu Yao’s Life, we meet Gao Jialin, a stubborn, idealistic, and ambitious young man from a small country village whose life is upended when corrupt local politics cost him his beloved job as a schoolteacher, prompting him to reject rural life and try to make it in the big city. Against the vivid, gritty backdrop of 1980s China, Lu Yao traces the proud and passionate Gao Jialin’s difficult path to professional, romantic, and personal fulfillment - or at least hard-won acceptance.

This is the abridged version of the trilogy The Torrents: Family, Spring, and Autumn, masterpieces of Ba Jin, one of the greatest writers of modern Chinese literature. The trilogy recounts the decline of a large feudal family following the May Fourth Movement of 1919. The abridged version of 30,000 words for each title, approximately 1/10 of each of the original, can be listened to by elementary-level students of Chinese with a 2,000-word vocabulary or can be used as an aid to reading the original.

家长只有充分的了解孩子的话语，掌握和孩子正确沟通的方法，真正走进孩子们的世界，才能打破孩子和大人之间无形的那堵墙……家長只有充分的了解孩子的話語，掌握和孩子正確溝通的方法，真正走進孩子們的世界，才能打破孩子和大人之間無形的那堵牆……

Willa Chen has never quite fit in. Growing up as a biracial Chinese American girl in New Jersey, Willa felt both hypervisible and unseen, too Asian to fit in at her mostly White school, and too White to speak to the few Asian kids around. After her parents’ early divorce, they both remarried and started new families, and Willa grew up feeling outside of their new lives, too.

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