Media Studies

In this incisive new work, Adrian Daub analyzes the global spread of cancel culture discourse as a moral panic, showing that, though its object is fuzzy, talk of cancel culture in global media has become a preoccupation of an embattled liberalism. There are plenty of conservative voices who gin up worries about cancel culture to advance their agendas. But more remarkable perhaps is that it is centrist, even left-leaning, media that have taken up the rallying cry and really defined the outlines of what cancel culture is supposed to be.

From the nursery to the prison, from the clinic to the commune, Mother Media tells the story of how we arrived at our contemporary understanding of what a mother is and how understandings of "bad" mothering formed our contemporary panics about "bad" media.

From a longtime Vanity Fair writer and editor, a delightfully entertaining, intelligent, and illuminating history and tribute to teen movies—from Rebel Without a Cause to Fast Times at Ridgemont High, and on to John Hughes, Mean Girls, The Hunger Games, and more.

That Day in Dallas: Lee Harvey Oswald Did Not Kill JFK is best described as a prosecution by Robert K. Tanenbaum of those corrupt, unscrupulous government and unelected agency officials, who from inception with predetermined outcomes, deceitfully engaged in insecure, phony pretense probes regarding the assassination in Dealey Plaza. Those responsible are prosecuted while those who speak truth to power are exonerated.

Mysteries of the Ancient World examines some of the most bizarre, surprising and unexplained phenomena of the ancient world. Ranging from cold cases millennia in the making to the sudden, baffling disappearances of entire civilizations to the creation of mysterious monuments, it searches for the truth behind these remarkable stories. With a careful analysis of the various theories that have been used over the years to try and understand these curious occurrences, the author gets to the bottom of what really happened.

This book begins by asking the listener if they can write a Black character. It then asks the listener questions about their knowledge and understanding of race and racism. Exploring the popular representation of law and order, healthcare and celebrity in the entertainment industry, and comparing this with the reality of these institutions throughout history and today, Lubimbi opens up the discussion and offers solutions to problems surrounding race, representation, and stereotyping.

En personlig fortælling om internettets storhed og fald – om at blive forført og siden forrådt af en teknologi, der er sivet ind i alle sprækker af vores liv. Mikkel Boris, en ret så gennemsnitlig internetbruger og millenial, har med denne bog sat sig for at undersøge, hvorfor internettet ikke er så fedt, som det plejede at være. Han erindrer en fjern fortid, der gik med at spille Mujaffa i skolens edb-lokaler, chatte med piger fra parallelklassen på MSN og slå sine venner ihjel på netcaféens natarrangementer.

We all wear hoods: the Grim Reaper, Red Riding Hood, torturers, executioners and the executed, athletes, laborers, anarchists, rappers, babies in onesies, and anyone who’s ever grabbed a hoodie on a chilly day. Alison Kinney’s Hood explores the material and symbolic vibrancy of this everyday garment and political semaphore, which often protects the powerful at the expense of the powerless—with deadly results.

The mall near Mat thew Newton’s childhood home in Pittsburgh, Pennsylvania, was one of the state’s first enclosed shopping malls. Like all malls in their heyday, this one was a climate-controlled pleasuredome where strangers converged. It boasted waterfalls, fish ponds, an indoor ice skating rink larger than Rockefeller Center’s, and a monolithic clock tower illuminated year-round beneath a canopy of interconnected skylights. It also became the backdrop for filmmaker George A. Romero’s zombie opus Dawn of the Dead.

In a captivating realm where cinematic narratives enchant countless viewers, how can one harmonize their faith with the craft of filmmaking? The Wages of Cinema encourages a deep dive into this relationship, drawing upon the significant reflections of Dorothy L. Sayers defending the authenticity of art and truth's manifestation.