Coming Soon

Fern's mother is a social climber and a former ballet dancer who lives a plush life in a London townhouse. Fern's father only climbs if there's a bottle at the top, has an IQ of 133 and lives hand-to-mouth in Californian motels. Aged 14, Fern has spent equal time with each of her parents. That is, until an unexpected visitor triggers a life-changing dilemma – whether she should get on a plane to London to be with her mother, or stay in California with her father. Here, Fern's narrative splices in two.

After much searching, Amber and Stevie find the perfect house - a bit shabby but with potential - in Grimaldi Square. Just the two of them; a place where they can start their lives together. Recently married, they want to begin a family (with the help of their gay best friend, Jack). Despite the rundown pub across the way, the overgrown garden and a decidedly nosy neighbour, it's the house of their dreams. But they are not alone in this dream.

Maya Hoshimoto was once the best art thief in the galaxy. For ten years, she returned stolen artifacts to alien civilizations – until a disastrous job forced her into hiding. Now she just wants to enjoy a quiet life as a graduate student of anthropology, but she's haunted by persistent and disturbing visions of the future. Then an old friend comes to her with a job she can't refuse: find a powerful object that could save an alien species from extinction. Except no one has seen it in living memory, and they aren't the only ones hunting for it.

The day of the garden party should’ve been a celebration of love for Raphael and his fiancée, as they toast their engagement with their families. But for someone, it’s an opportunity to unveil the lies that have bound the family together over the years. With their nearest and dearest gathered at the family manor, as the first glass is raised, the secrets that bind them begin to crack. And what should have been the happiest day of their lives, might just end as a day they’d rather forget…

At a meatpacking facility in Missouri, Dee-Dee and her coworkers kill and butcher 40,000 chickens in a single shift. The work is repetitive and brutal, with each stab and cut a punishment to her hands and joints, but Dee-Dee's more concerned with what is happening inside her body. After a series of devastating miscarriages, Dee-Dee has found herself pregnant, and she is determined to carry this child to term.

Misha is a jaded scriptwriter who has been working in Hollywood for decades, and has just been nominated for his first Oscar. But when he's pressured by his producers to kill off a gay character in the upcoming season finale—"for the algorithm"—Misha discovers that it's not that simple. As he is haunted by his past, and past mistakes, Misha must risk everything to find a way to do what's right—before it's too late.

The streets have been my home for as long as I can remember. To get by, I use my magic tricks, bringing smiles to the faces of adults and children alike. As a warlock, my powers are limited. Nothing like a witch's magical skills. Basically, I'm a glorified magician as well as a second-class citizen. Fine. It doesn't get me down. I have my cat Fizz and Kylie Minogue's music to keep me going as I dream big. I know there's a better life out there for me.

When Zoe Stamper, specialist in Ancient Greek Tragedy, meets fellow academic Dr Penny Cartwright at a faculty music recital, she seems impossibly glamorous to Zoe, who is, after all, several rungs down the academic pecking order - and a nervous ingénue as far as Penny’s sophisticated circle is concerned. But Penny leaves Zoe a cryptic note, and a passionate affair ensues . . .

Sigrid hates working at the Dollar Pal, but having always resisted the idea of growing up into the trappings of adulthood, she did not graduate high school, preferring to roam the streets of her small town with her best friend Greta, the only person in the world who ever understood her. Her older sister Margit is baffled and frustrated by Sigrid’s inability to conform to the expectations of polite society.

A single line of text, glowing in the darkness of the internet. Written by Ashley Lutin, who has often thought the same—and worse—in the years since his wife died and his young son disappeared. But the peace of the grave is not for him—it’s for those he can help. Ashley has constructed a peculiar ritual for those whose desire to die is at war with their yearning to live a better life. Struggling to overcome his own endless grief, one night Ashley finds connection with Jinx—a potential candidate for Ashley’s next ritual—who spins a tale both revolting and fascinating.

The Skelf women are back on an even keel after everything they've been through. But when a funeral they're conducting is attacked by a drone, Jenny fears they're in the middle of an Edinburgh gangland vendetta. At the same time, Yana, a Ukrainian member of the refugee choir that plays with Dorothy's band, has gone missing. Searching for her leads Dorothy into strange and ominous territory. And Brodie, the newest member of the extended Skelf family, comes to Hannah with a case: Something or someone has been disturbing the grave of his stillborn son.

When Harriet moves to Bentwood to teach gifted students, her life doesn't go as planned. Between her haunted rental and her oddball neighbor, Lucy—who literally won't go away—Harriet is left questioning her own sanity. The beautiful Kelsey, whom she meets at the farmers market, offers the distraction she needs. Well, that, and the town's Multi-Level Marketing (MLM)—or pyramid-scheme.

The trip was supposed to be fun. When Kit's best friend gets dumped by his boyfriend, he begs her to ditch her family responsibilities for a quick, idyllic weekend in the Montana mountains. They'll soak in hot springs, then sneak a vape into the local dive bar like old times. But it's soon clear that this getaway only gets Kit closer to something dire and unfathomable that's been building inside her for years, ever since her sister Julie died.

After the tragic death of their father and surviving a life-threatening eating disorder, eighteen-year-old Ellis moves with their mother to the small town of Black Stone, seeking a simpler life and some space to recover. But Black Stone feels off; it's a disquieting place surrounded by towns with some of the highest death rates in the country. It doesn't help that everyone says Ellis's new house is haunted—everyone including Quinn, a local girl who has quickly captured Ellis's attention.

”I am leaving for the winter—I have to get away from this small town and all its dangers—to write, read, think, all the most important things in the world but which are thought the least important, the most expendable.” Thus begins the Indian winter of our narrator, a queer writer and translator much like the author, a winter that includes a meandering journey through India, trying to write about a long-ago lover whose death he has just learned of. While on this journey into memory, he flees his current faltering relationship in search of new friendships and intimacies.

When Works Progress Administration editor Millie Lang finds herself on the wrong end of a potential political scandal, she’s shipped off to Montana to work on the state’s American Guide Series—travel books intended to put the nation’s destitute writers to work. Millie arrives to an eclectic staff claiming their missed deadlines are due to sabotage, possibly from the state’s powerful Copper Kings who don’t want their long and bloody history with union organizers aired. But Millie begins to suspect that the answer might instead lie with the town’s mysterious librarian, Alice Monroe.

Ellen, a deeply closeted lesbian spends all her time in solitude, restoring films at a failing archive in 1980s New York City. When a group of German academics present her with a print of an infamous exploitation film believed to have been destroyed during the Holocaust, Ellen finds herself forced to confront her own repressed sexuality. And the more she works on the restoration, the more obsessed she becomes with its depictions of occult practices and queer debauchery.

Griffon Keming’s second parents saved him from his abusive family. They taught him how to be trans, paid for his transition, and tried to love him as best they could. But Griffon’s new parents had troubles of their own—both were deeply scarred by the lives they lived before Griffon, the struggles they faced to become themselves, and the failed revolution that drove them from their homeland. When they died, they left an unfillable hole in his heart.

Lorel has always dreamed of becoming a witch—learning magic, fighting monsters, and exploring the world beyond the small town where she and her mother run the stables. Even though a strange plague is killing the trees in the Kingdom of Cekon and witches are being blamed for it, Lorel wants nothing more than to join them. There’s only one problem: all witches are women, and she was born a boy. When the coven comes to claim her best friend, Lorel disguises herself in a dress and joins in her friend’s place, leaving home and her old self behind.

Villain has descriptive copy which is not yet available from the Publisher.