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March, 1605. Country doctor and former ship surgeon Gabriel Taverner is ready for his next adventure. He can't wait to leave Devon and tend to the crew of the Luipaard while sailing the Eastern seas. As years pass by, Gabriel's family and friends back home are struggling with his substitute physician. Doctor Maudsley Cheverell turned out to be as incompetent as they come and unpleasant at best. So when he is found dead in a ditch one day, no one seems to be too surprised. Only, when examining the body, it seems like Cheverell was tortured using a specific method from the East . . .

Yorkshire. 1649. Caragh has hidden her true name and her Irish identity, and since her family fled Ireland in secret they have been proud to own land of their own in England. But one morning, Caragh’s father tells her that they must leave their beloved home as it is no longer safe for them to stay. That morning, Caragh hears shots fired. When she returns to the cottage, she finds her family murdered by Lemuel Lane, a wealthy Protestant who has taken it upon himself to rid the area of anyone with Catholic sympathies.

There's only one thing notorious thief Lyta loves more than a big score: her little brother, Kit. But when Kit is arrested for producing seditious pamphlets, he stands to lose not only his printing press, but possibly his life. In exchange for her brother's freedom, Lyta strikes a daring bargain with the king -she will steal the infamous Book of Gold: a mysterious manuscript reputed to be hiding vast magical power within.

PASSION, MENSONGES, TRAHISONS, DUELS, MEURTRES : UN EXCELLENT ROMAN DE CAPE ET D'ÉPÉE ! Paris, une nuit de février 1578. Six ans ont passé depuis le massacre de la Saint-Barthélémy. Dans une ruelle sombre des abords de la Bastille, Bussy d'Amboise, gentilhomme courageux et loyal, tombe dans l'embuscade que les mignons du roi Henri III lui ont tendue. Seul contre cinq, il ne doit la vie sauve qu'à l'intervention providentielle d'une belle inconnue blonde comme un ange : Diane de Méridor.

Alexander “Sander” Cooke is the most celebrated “boy player” in the Chamberlain’s Men, William Shakespeare’s theatre company. Indeed, Sander’s androgynous beauty and deft portrayal of female roles have made him the toast of London, and his companionship is sought by noblewomen and -men alike. And yet, now at the height of his fame, he teeters on the cusp of adulthood, his future uncertain. Often, he wishes he could stop time and remain a boy forever.

At the age of sixty-one, Judith Shakespeare, a midwife-apothecary and twin of the long-dead Hamnet, must flee provincial Stratford on horseback to avoid arrest for witchcraft. Her traveling companions are a zealous Puritan woman and child who have been displaced by civil war—the bloody seventeenth-century strife between Royalists and Roundheads. Judith is also leaving her marriage, which has foundered since the wrenching loss of two adult sons to the plague.