
A Killing in the City
Tom Kendall, Book 4
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Narrated by:
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Christopher Hunter
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By:
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John Holt
About this listen
‘To make a killing in the City’ is a phrase often used within the financial world, to indicate making a large profit on investments, or through dealings on the stock market--the bigger the profit, the bigger the killing. However, Tom Kendall, a private detective, on vacation in London, has a different kind of killing in mind when he hears about the death of one of his fellow passengers who traveled with him on the plane from Miami. It was suicide apparently, a simple overdose of prescribed tablets. Kendall immediately offers his help to Scotland Yard. He is shocked when he is told his services will not be required. They can manage perfectly well without him, thank you.
©August 2012 John Holt (P)2018 John HoltGood read
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Killing the review
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Kendall has just completed another case and had promised his secretary / assistant a long holiday in England sight seeing, but he does need to be constantly pushed into actually going.
Book 4
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Well written, as usual, I could only give four stars for the narrators performance as he mispronounced “ask” as aks, that is a pet hate of mine. Apart from that one small problem Christopher Hunter does a very good job of bringing the characters to life.
Well worth a listen, especially if you have listened to the previous 3 Kendall mysteries in the series.
A well written story
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Highly recommend.
recommend
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Good storyline and characters. Terrible narration.
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☺
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Of course, once in Eng!and, Molly's dreams of serious shopping and shows are elbowed aside in favour of Kendall's camera as he determinedly drags her to, seemingly, every building and monument in his guide book, taking pictures at each one. Until, that is, an acquaintance is found dead in an hotel room and the detective within him simply won't accept the verdict of suicide.
The characters of Molly and Kendall are a delight. He has the assurance of being right, even when he's not, despite what the Scotland Yard detective and others might say as he humbles his way, Columbo -like, through interviews, determined to find the proof for his theories, constantly mentally rehearsing his ideas in his head. And bored Molly endures it all, none too stoically, muttering to herse!f, 'Here we go agakn.'
The relationship between the two, more long married couple than detective and secretary, is sheer delight. She pushes and reprimands, he argues, ignores and feels guilty. The solution to the story might be obvious but it is the getting there which brings such ennoyment.
Unfortunately, the narration was less than excellent. Although Christopher Hunter read well with reasonable inflection and a speed which felt perfect to reflect the character of Kendall, at least initially he sounded as if he were fighting off a cold and his constant pronunciation of 'asked' as 'axed' was both disconcerting as well as distracting. His reading of Molly's conversations brought a slight softening of his voice but there was no apparent attempt to bring different voices for any of the other characters Not that this latter really mattered - it was always obvious who was speaking. Not a bad reading overall but it could have better.
I have become a big fan of these slow paced but absorbing and humorous detective stories, full of character and realistic dialogue, of stubborn nosing around as well as vague memory lapses. My thanks to the author for freely gifting me with a complimentary copy of A Killing in the City, the fourth in the Kendall series and, like it's predecessors, fully standalone.
For all who enjoy detective stories or well developed real-feel quirky characters, highly recommended.
Like a dog with a bone.
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Good Story Terrible Narrator
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Brilliant book
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