
Here and Now and Then
A Novel
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Narrated by:
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Cary Hite
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By:
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Mike Chen
About this listen
To save his daughter, he’ll go anywhere - and any-when....
Kin Stewart is an everyday family man: working in IT, trying to keep the spark in his marriage, struggling to connect with his teenage daughter, Miranda. But his current life is a far cry from his previous career...as a time-traveling secret agent from 2142.
Stranded in suburban San Francisco since the 1990s after a botched mission, Kin has kept his past hidden from everyone around him, despite the increasing blackouts and memory loss affecting his time-traveler’s brain. Until one afternoon, his “rescue” team arrives - 18 years too late.
Their mission: return Kin to 2142, where he’s only been gone weeks, not years, and where another family is waiting for him. A family he can’t remember.
Torn between two lives, Kin is desperate for a way to stay connected to both. But when his best efforts threaten to destroy the agency and even history itself, his daughter’s very existence is at risk. It’ll take one final trip across time to save Miranda - even if it means breaking all the rules of time travel in the process.
A uniquely emotional genre-bending debut, Here and Now and Then captures the perfect balance of heart, playfulness, and imagination, offering an intimate glimpse into the crevices of a father’s heart and its capacity to stretch across both space and time to protect the people that mean the most.
©2019 Mike Chen (P)2019 Harlequin Enterprises, LimitedMy only difficulty with the audio book is that the ‘English’ accent of 2 characters in the story is distractingly poor. That these characters are English, seems to have no baring on the narrative anyway. Still worth a listen nevertheless.
Here and now and then
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Not here though. The English accent is just terrible, laughably bad. Unlike others, I didn’t stop listening to it because of this but it really is awful.
Also, for English listeners the word era will annoy you. Americans pronounce this as “error” which would be okay a couple of times but the author uses it all the time, every minute or so. He never thinks to use an alternative such as period or time, just error, error, error.
I liked the story, it was a good idea. But I didn’t think the book was particularly well written. The writing was quite bland, not bad, just insipid. Some of the characters reactions are nonsensical.
I did listen to the end but I was never truest gripped or excited. Overall a mediocre, poorly narrated book.
Good story spoilt by terrible production
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accent hell
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Wholesome wander through an exciting concept
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The principles of time travel as they are imagined in this book are well explained and woven into the story. The 22nd-century world-building is good without being overwhelming; some things are different - we discover a technologically advanced society of people who live to 200 thanks to biotechnology, and there is a passing reference to the geography and cost of living in the Bay Area in the era of much warmer temperatures - while some stay the same, like a liberal techno-loving California full of geeks, the English Premier Football League (!) and Saturday amateur football matches. Behind this benign facade, the organisation that deals with temporal anomalies, Kin's employer, is ruthless and totalitarian in the application of its rules - there are extra-judicial killings galore with no due process, including for an innocent civilian. From such a premise, I was expecting much. But Kin never gets to realise that the job he did for so long, and the operating principles of his organisation, are appalling - not even when the organisation goes after his own daughter, though it was at fault for leaving him stranded in the past for 18 years and then imposing on him a wholly inhuman separation.
That lack of self-awareness is the biggest weakness in an otherwise entertaining book, especially as it doesn't fit the character of Kin as Chen develops him - not an amoral assassin, but a thoughtful man. His trained habit of compartmentalising matches Kin at the beginning of the story - but not by the end. The idea that such a person would not question that "bad guys" trying to use the past to make money in the future should be shot without the benefit of trial is jarring. Markus, another time traveller working for that organisation, comes across as one of those KGB agents in old Cold War spy novels, who, despite being friendly, justify the unjustifiable because "it's the rules" of their world. The only one who has any moral compass beyond the immediately personal is Penny, and one wonders how she will deal in the future with the reality of what Markus and Kin have done - will she just shove it under the carpet? That doesn't fit her character either.
Time travel raises many ethical questions, and I don't expect an author to examine them all in a single book; but I do expect an author to inquire into those he raises explicitly - call it a moral Chekhov's gun. Mike Chen explores those touching upon personal family issues and split loyalties, and he does that with beautiful emotion and originality, but he only superficially touches upon the central one of abuse of power and justifying the means by the end.
The narrator is competent as long as he speaks in American English. But two central characters are English and his attempt at an English accent is so painful, it hurt my teeth (please, authors and publishers, if a character is English, get a narrator who can do a decent English accent. Same with Scottish, Irish, Welsh, Australian, etc.). It completely spoiled my enjoyment of the audiobook, so that after a few chapters, I switched to Kindle.
Entertaining but superficial
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The ending
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Terrible English accent
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The narration by Cary Hite is silky smooth and adds so much depth to the already perfect words of the story.
It's one of those stories which causes you to reflect so much on the characters and the events which have played out.
I love it, so much.
Thank you, Mike :)
Beautiful and Perfect Story
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Worst English accent ever
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Amateurish story
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