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Orlando

By: Virginia Woolf
Narrated by: Clare Higgins
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Summary

Exclusively from Audible

Fantasy, love and an exuberant celebration of English life and literature, Orlando is a uniquely entertaining story. Originally conceived by Virginia Woolf as a playful tribute to the family of her friend and lover, Vita Sackville-West, Orlando's central character, a fictional embodiment of Sackville-West, changes sex from a man to a woman and lives throughout the centuries, whilst meeting historical figures of English literature.

The book opens with Orlando as a young nobleman in Elizabethan England who finds love with a Russian princess. During Charles II's reign, he is an ambassador to Constantinople and becomes a Duke. Orlando then goes on to wake as a beautiful woman, exploring the roles of women in the 18th and 19th centuries. Eventually becoming a wife and mother the tale ends in the year 1928, a year consonant with full suffrage for women. Upon plans to publish her 1588 poem 'The Oak Tree', written in the opening of the book, she reflects on her centuries of adventure.

An exploration of androgyny and the creative life of a woman, it is considered a feminist work. Arguably one of Woolf's most popular stories, it marked a turning point in her career, departing from her more introspective works. Receiving both critical and financial success, it guaranteed Woolf's financial stability.

There have been many adaptations made, including a 1992 film starring Tilda Swinton and an opera by composer Peter Aderhold which premiered at the Braunschweig State Theatre in in 2016.

Narrator Biography

Clare Higgins is an accomplished actress of screen and stage, winning three Olivier Awards for Best Actress for her roles in Sweet Bird of Youth (1995), Vincent in Brixton (2003) and Hecuba (2005). With a long and successful career in British and American theatre, she has also been a regular feature on our television screens. Her recent roles have included Miss Cackle in The Worst Witch (2017), Ohila in Doctor Who (2013 and 2015), Hazel Warren in EastEnders (2015) and Vivian in Rogue (2014).

Claire Higgins is probably best known for her memorable and sinister performance as Julia in the horror films Hellraiser (1987) and Hellbound: Hellraiser II (1988), with other film appearances including The Golden Compass (2007) and Small Faces (2006). With a voice and timing perfect for audio she has narrated many audiobooks, including Nick Hornby's How to Be Good and Joanna Trollope's The Best of Friends, and in 2009 portrayed Margaret Thatcher in the BBC Radio 4 drama A Family Affair.

Public Domain (P)2014 Audible, Inc.
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Critic reviews

"Clare Higgins's supple, silky voice does justice to Woolf's literary landmark. The language of Orlando, peppered with alliterative phrases, flows effortlessly with perfect pacing by Higgins, and Woolf's dry wit shines through her performance." ( AudioFile)

What listeners say about Orlando

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Orlando

A wonderful read that is recommended. A story of strong will that will never give up.

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1 person found this helpful

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Magical story and magical storytelling

I adore Virginia Wools's work so this completely biased.
I love Orlando and have been enchanted by the narration. A hundred stars!

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.

3.75/5

I first learned of this book when visiting Sissinghurst Castle, home of the late Vita Sackville West. Vita and Virginia were lovers and Virginia wrote this book with the character of Orlando inspired by Vita.

Orlando follows the titular character from their beginning as an Elizabethan lord as they live through centuries until the twentieth century. During this long life Orlando changes from a man to a woman how that transition affects them in different ways.

-This is the first Woolf book I've read so I have no comparison but the prose seems very dense, sometimes superfluous. Albeit part of the plot, the book transitions from regular descriptions of events and characters to poetic verse, sometimes mid paragraph. This works to an extent as part of the book but was slightly confusing listening to the audiobook.

- As someone who exists outside the gender binary, I really appreciated the meditations and insights by and of Orlando around their transition. They contemplate how different their experiences were as a man to a woman, what opportunities are changed for them, how they interact with others, how they perceive themself. I have thought some of these things myself on occasion and considering this was published 1928, was very progressive and forward thinking in this way.

- Some books are about the destination. This book is very much about the journey and more centrally the character. Orlando is written as if a biographer were telling Orlando's story and this it achieves well. However, sometimes the prose becomes bizarre, dull or confusing and it can be hard to pin point what is going on. I feel audio may not have been the best format for this book as a physical or ebook version may have allowed for the reader to flick back and remember.

Ahead of its time, deeply reflective and a different way to think about gender, society and one's place within it. I would recommend as a classic book with good queer representation.

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Exquisite prose

As ever with Virginia Wolf the language in Orlando is exquisite. It so deliciously describes Orlando’s journey through life and the centuries that I feel I am there with him/her. I can taste the peach; feels the grass; smells the salt on the air. I have listened to this rendition 4 times now and never does it get tired. Fabulous.

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Entertaining, if a little odd

Virginia Woolf is an author I'd never read and felt that I probably should, so I was expecting this book to be "good for me" rather than particularly fun. I found myself pleasantly surprised, The writing was elegant and easily consumable. I was kept interested by the ideas raised and liked that they were posed in a meditative manner that one could take or leave without feeling hounded into agreement by the author.
I wouldn't read the book again for the story or the concepts, but the prose would definitely draw me back:
"For it would seem - her case proved it - that we write, not with the fingers, but with the whole person. The nerve which controls the pen winds itself about every fibre of our being, threads the heart, pierces the liver."
The narrator did an excellent job of not getting in the way of this introspective story.

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    4 out of 5 stars

Subtle and beautifully written

A delightful voice lulled you through this very diverse tale of an extended life, with its myriad of twists and turns. Easy to get a bit lost at times if the intonation didn't stimulate enough, but a very interesting listen in the main. The screen version from 1992 with Tilda Swinton was my initial experience of this tale, and I was pleased that the book was more compelling than its visual counterpart.

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Hard work

Narrator made it worthwhile but was hard to follow a lot of the time as is often the way with Woolf.

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    5 out of 5 stars

Wonderful

They stream of consciousness style and dry wit is suited perfectly to an audiobook. Also, Clare Higgin's voice is perfectly suited to the work, and I want her to record all of Virginia Woolf's work.

It is magical, perfectly produced and the only disappointment is that 8 hours and 43 mins is over much, much too quickly. It is one of the few audiobooks that I will listen to again.

Wonderful, magical, surprising, original, beautiful, bold and full of love.

Listen to the sample . . . and then you will find that you must get this audiobook.

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9 people found this helpful

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    4 out of 5 stars

Gorgeousness heaped on gorgeousness

Seen the film starring Tilda Swinton? It's pretty awe-inspiring in its sumptuousness and magical atmosphere. So, you won't be surprised, is Woolf's novel. Hilarious at times (a surprise for someone who'd only read her experimental works before) and truly revolutionary in its assumptions and form.

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Hard to follow

I didn't really get it. I'm sure it's great but I couldn't really follow it.

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