Shards of Earth cover art

Shards of Earth

The Final Architecture, Book 1

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Shards of Earth

By: Adrian Tchaikovsky
Narrated by: Sophie Aldred
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About this listen

The war is over. Its heroes forgotten. Until one chance discovery . . .


From the author of Children of Time, winner of the Arthur C. Clarke Award, Shards of Earth is the first high-octane, far-future space adventure in Adrian Tchaikovsky's Final Architecture trilogy.

The series is read by Sophie Aldred (Doctor Who)


Idris has neither aged nor slept since they remade his mind in the war. And one of humanity’s heroes now scrapes by on a freelance salvage vessel, to avoid the attention of greater powers.

Eighty years ago, Earth was destroyed by an alien enemy. Many escaped, but millions more died. So mankind created enhanced humans ­such as Idris - who could communicate mind-to-mind with our aggressors. Then these ‘Architects’ simply disappeared and Idris and his kind became obsolete.

Now, Idris and his crew have something strange, abandoned in space. It’s clearly the work of the Architects – but are they really returning? And if so, why? Hunted by gangsters, cults and governments, Idris and his crew race across the galaxy as they search for answers. For they now possess something of incalculable value, and many would kill to obtain it.

‘Enthralling, epic, immersive and hugely intelligent’ – Stephen Baxter, author of the Xeelee Sequence

‘One of the most interesting and accomplished writers in speculative fiction’ – Christopher Paolini, author of Fractal Noise

Praise for Adrian Tchaikovsky:

‘He writes incredibly enjoyable sci-fi, full of life and ideas’ – Patrick Ness

‘Thoughtful, sweeping space adventure’ – SFX

‘Brilliant science fiction’ – James McAvoy

©2021 Adrian Tchaikovsky (P)2021 Macmillan Publishers International Ltd
Fiction First Contact Genetic Engineering Science Fiction Space Opera Interstellar War

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Critic reviews

If Homer had written space opera . . . Enthralling, epic, immersive and hugely intelligent. This might be Tchaikovsky's best so far, and that's saying something (Stephen Baxter, author of the Xeelee Sequence)
Adrian Tchaikovsky: king of the spiders, master worldbuilder, and asker of intriguing questions. His books are packed with thought-provoking ideas (as well as lots of spiders; did I mention the spiders?). One of the most interesting and accomplished writers in speculative fiction (Christopher Paolini, author of To Sleep in a Sea of Stars and Fractal Noise)
He writes incredibly enjoyable sci-fi, full of life and ideas (Patrick Ness, author of The Knife of Never Letting Go and A Monster Calls)
A modern classic of the genre. Imaginative, kinetic, and wire tense. Highly recommended (Gareth L. Powell, author of Embers of War and Descendant Machine)
Adrian Tchaikovsky turns the HP Lovecraft dial to 11 as the Vulture God and its mismatched crew (Idris, a Hannilambra alien, a Partheni warrior princess, a lawyer . . .) drop into unspace and (obligatory caps lock here) CONFRONT FORCES BEYOND REALITY
Tchaikovsky has consolidated his position as the finest purveyor of high-quality space opera around . . . [Shards of Earth] is deft and clever, expansive and readable, all informed by Tchaikovsky’s superbly baroque imaginative fecundity
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Not as imaginative as AT's previous books, this seems a little vanilla. What really let's it down is the narration. There's no menace or peril, some of the characters sound like 14 year old children. I'll read the next one.

Wish I'd bought the book...

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I'd previously only read Children of Time from Tchaikovsky, a novel which is endlessly imaginative if a little... cold. The relative lack of humanity in the story was born out in the text, which lacked much in the way of humour or levity. However, it made up for it with sensational world-building, speculative evolution spinning off into such bizarre but credible pathways.

His Final Architecture series is, so far (I've listened to the first 2 books) quite different. The detailed, complex and slightly inscrutable setting is certainly still present, though with as much focus on technological advancement as biological evolution this time.

The characters, meanwhile, are far more relatable than in Children of Time. They are flawed, brave, cowardly, and determined in turn, with a strong core of idiosyncrasies running throughout each of them. Most of all, though, they are just damned FUNNY, despite not all of them even being human.

Special commendations to Olly and Trine, in particular. Olly is so beautifully profane in her speech, which is set off perfectly by the sardonic Yorkshire-esque twang that Sophie Aldred gives her. The level of mortal offence she takes at the presence, the mere existence, of others is a delight. She is the grumpiest arsehole with a heart of gold that I have come across in a while.

Then we have Trine, a character so utterly alien, yet man-made. The Hivers are basically sentient colonies of insects. Trine has refused to return his constituent parts back to the central depository for so long that they (accurate pronoun) have developed ego and eccentricities in equal measures.

I never get bored of these characters. The only one who annoys me a little is Idris, who is ostensibly the central character of this space opera. However, he makes up for his meek timidness by refusing to back down, insisting a course of action is necessary until it happens. Besides being a human McGuffin, always being kidnapped and passed from pillar to post against his own desires, he slowly develops into someone determined to do the right thing no matter the cost, so by the end of book 2 you are stood up rooting for him!

I have loved this series, and cannot wait from the next installment at the end of April 2023.

wonderfully funny, imaginative & horrific

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Fascinating storyline. The reader leaves a lot to be desired. A very samey voice, whatever the action.

The choice of reader is a shame.

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A great story by an author in their prime made excellent by the best narrator I've heard in a long time.

Perfect start to a trilogy

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A brilliant tale, well told.

I shall be demolishing this series in days at this rate!

Tchaikovsky can do no wrong

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I really loved AT's Children series so picked Shards of Earth up when I saw it on sale. so glad I did. The story AT has come up with is great, and equally as complex and riveting as the Children series. I have loved the characters. Ollie Teemu is now one of my favourite characters from any series. Looking forward to part two.

Fascinating tale with memorable characters

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I’d only read Children of Time and Children of Ruin before this so take that into consideration. Both of those books I found to be incredibly creative and compelling to read. What I got with this was something of a rinse and repeat space opera. A well trodden story and predictable character mashups - with some more endearing than others. Dialogue was uninspiring and I’m not sure whether it was narrator or not, but I found a number of the crew generally pretty annoying and whiny and not particularly endearing. The creatures of both the children books were far more relatable. Will I listen to the next one? Probably. However, for his type of jaunt I’d recommend Peter Hamilton or Iain Banks or even the Expanse series for a far more rewarding experience.

Decent enough

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Space opera served up hot. A brilliantly imaged universe with wonderfully fleshed out characters whose dialogue had me laughing my ass off at points. (A good knifing?! Seriously Adrian? 😂) Seriously, it Adrian Tchaikovsky. That alone should be reason enough to part with your shekels.
Also, Sophie Aldred is quickly becoming Adrian Tchaikovsky most evocative and impressive narrators. She has a gift for bringing his diverse characters to life. Brilliant and enviable!

Adrian Tchaikovsky does it again

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Great fun with good pacing and characters, atmospheric world building and interesting concepts and threats

Fun start to a space opera

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This is a fun space opera romp, modified humans, big evil alien baddy, canned secret service/gangster villains. It occasionally shows through how quickly Tchaikovsky writes, with a couple of minor inconsistencies, but overall thoroughly enjoyable.

Fun space opera romp

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