Showing titles in Renaissance

My name is Katherine Parr. I’m thirty-one years old – already twice widowed. I love a man I can’t have. I’m to wed a man no one would want. He has cast aside two wives and watched another die in childbirth. Two more have had their heads struck from their bodies, on his order. What will become of me as Henry VIII’s sixth wife? I will have the king’s ear. With that comes power. But power means danger in the Tudor court.

When Beatrice’s husband Hugh returns from his excursion to the New World, he is not alone. Accompanying him are an unnamed pregnant woman, and an enormous painted globe. No one will explain who Hugh’s mysterious female house guest is. Meanwhile, Beatrice's resentment of the globe grows. To her, it represents a world that belongs entirely to her husband – a world where she will never belong. Then at night, the great hulking globe begins to turn. Terrifying new illustrations appear on its face – and when a chain of untimely deaths ensues, Beatrice is sure the drawings are connected.

Born into poverty, brutalised and ignored by her family, it is only when she is married off to a nobleman that her life undergoes a transformation, as her husband recognises in Rosamund a magic she does not know she possesses but which affects almost all who encounter her. Presiding over a luxurious chocolate house where men go to be seen, exchange news and indulge in the sweet and heady drink to which they have become addicted, Rosamund feels blessed. But disaster strikes, and Rosamund stands on the brink of losing all she has worked so hard to achieve.

Anne Brandon has always understood the power of a king’s patronage and, though the court of Henry VIII is a dangerous place for women, as the daughter of the king’s best friend, Anne feels safer than most. But Anne’s husband Lord Powis is tiring of her childlessness and when Henry VIII begins plotting to rid himself of a queen in his quest for an heir, suddenly Anne’s life is in danger. And as whispers of the name of her friend Anne Boleyn’s get ever louder, there is peril in every loose word, every forbidden conversation.

Present day: When thirty-six-year-old Robyn Willoughby discovers an exquisite yet blood-stained Tudor map in her father’s antique map shop, desperate for a distraction from her problems, she decides to investigate. But as Robyn delves into the mystery, she finds herself caught up in a centuries-old secret—one that will change her life forever.

Florence. Autumn, 1539. Cesare Aldo was once an officer for the city’s most feared criminal court. Following a period of exile, he is back but demoted to night patrol when only the drunk and the dangerous roam the streets. Chasing a suspect in the rain, Aldo discovers a horrifying scene beneath Michelangelo’s statue of David. Lifeless eyes gaze from the face of a man whose body has been posed as if crucified. It’s clear the killer had religious motives. When more bodies appear, Aldo believes an unholy murderer is stalking the citizens of Florence.

1606. A year to the day that men were executed for conspiring to blow up Parliament, a towering wave devastates the Bristol Channel. Some proclaim God's vengeance. Others seek to take advantage. In London, Daniel Pursglove lies in prison waiting to die. But Charles FitzAlan, close adviser to King James I, has a job in mind that will free a man of Daniel's skill from the horrors of Newgate. If he succeeds. For Bristol is a hotbed of Catholic spies, and where better for the lone conspirator who evaded arrest, one Spero Pettingar, to gather allies than in the chaos of a drowned city?

Michelangelo's Sistine Chapel ceiling is one of the most iconic masterpieces of the Renaissance. Here, in Raphael, Painter in Rome, Storey tells of its creation as never before: through the eyes of Michelangelo's fiercest rival - the young, beautiful, brilliant painter of perfection, Raphael. Orphaned at age 11, Raphael is determined to keep the deathbed promise he made to his father: become the greatest artist in history. But to be the best, he must beat the best, the legendary sculptor of the David, Michelangelo Buonarroti.

Cesare Aldo, a former soldier and now an officer of the Renaissance city's most feared criminal court, is given four days to solve the murder: catch the killer before the feast of Epiphany—or suffer the consequences. During his investigations Aldo uncovers a plot to overthrow the volatile ruler of Florence, Alessandro de' Medici. If the duke falls, it will endanger the whole city. But a rival officer of the court is determined to expose details about Aldo’s private life that could lead to his ruin.

Beatrice yearns to escape the clutches of her abusive father and determined to find a way back to Rome, enlists the help of Olimpio, the castle’s keeper. Soon the love that grows between them will transform Beatrice’s fortunes, for better and for worse. History has sold her short. She is no doe-eyed victim of her father’s brutality, nor the cunning murderer who plotted her father’s demise. No, this Beatrice - a woman pregnant by her lover, incarcerated in a remote castle by her father, and brim-full of white-hot rage - is both innocent and guilty, saint and sinner.

Anne Neville and her sister Isabel are daughters of the most powerful magnate in 15th century England. Ever ruthless, always plotting, in the absence of a son and heir, Warwick sets about using his daughters as pawns in his political games. Anne grows from a delightful child brought up at the court of Edward IV and his queen, Elizabeth Woodville, intimacy and friendship with the family of Richard, Duke of Gloucester. Her life is overturned when her father turns on his former allies, escapes England and invades with an enemy army.

England, 1613. At the dazzling but brutal court of King James I, politician and philosopher Francis Bacon, the cleverest person in England, the inventor of the modern world, has a fight to survive. A life-threatening alliance of his enemies has formed around the king's exquisite but noxious lover, Carr. Bacon, always the outsider and the plotter, goes to his friend, James' neglected queen, and together they come up with a plan.

It's 1593, Elizabeth I is Queen and everyone is terrified of the worst outbreak of plague in a generation. Shakespeare has only written six plays and is lagging behind his friend Christopher Marlowe, London's leading playwright. When Marlowe is stabbed to death in mysterious circumstances, rumours abound—but the one that won’t go away is that Shakespeare did it to remove his greatest rival. Will is determined to clear his name, and teams up with his old flame, Marlowe’s sister Ann, who has plenty of secrets of her own.

Florence, New Year’s Day 1557. As dawn breaks, a painter is discovered lying on the floor of a church, stabbed through the heart. Above him, the paintings he laboured over for more than a decade. At his home, a hidden painting scandalously depicting Maria de Medici, daughter of the Duke and Duchess of Florence, as a naked Venus. Who is the murderer? Who is behind the painting? As the city erupts in chaos, Giorgio Vasari, the great art historian, is picked to lead the investigation.

In this short prequel to Alison Weir's new novel, Elizabeth of York, The Last White Rose, the young princess is born - and the future of England hangs in the balance. The Palace of Westminster, 1466. As the queen of England lies in her chamber, exhausted from childbirth, the court awaits news of the longed-for heir.

Penguin presents the unabridged, downloadable audiobook edition of Sisters of Treason by Elizabeth Fremantle. Lady Jane Grey has just been executed by her cousin Mary Tudor and her two younger sisters, Mary and Catherine, live in the shadow of their sister's tragic demise. Lady Catherine's fatal flaw is her compulsive desire for love, while clever Lady Mary is burdened with a crooked spine and tiny stature - and both have inherited the curse of royal blood.

1605: Anne Catesby fears for her family. Her son, the darkly charismatic Robert, is secretly plotting to kill the King, placing his wife and child in grave danger. Anne must make a terrible choice: betray her only child, or risk her family’s future. Present day: When her dreams of becoming a musician are shattered, Lucy takes refuge in her family’s ancestral home in Oxfordshire. Everyone knows it was originally home to Robert Catesby. As Lucy spends more time in the beautiful winter garden that Robert had made, she starts to have strange visions of a woman in Tudor dress.

How to Be Both is a novel all about art's versatility. Borrowing from painting's fresco technique to make an original literary double-take, it's a fast-moving, genre-bending conversation between forms, times, truths and fictions. There's a renaissance artist of the 1460s. There's the child of a child of the 1960s. Two tales of love and injustice twist into a singular yarn where time gets timeless, structural gets playful, knowing gets mysterious, fictional gets real - and all life's givens get given a second chance.

Ann Stilwell arrives in New York City, hoping to spend her summer working at the Metropolitan Museum of Art. Instead, she is assigned to The Cloisters, a gothic museum and garden renowned for its collection of medieval and Renaissance art. There she is drawn into a small circle of charismatic but enigmatic researchers, each with their own secrets and desires, including the museum's curator, Patrick Roland, who is convinced that the history of Tarot holds the key to unlocking contemporary fortune telling.

1715: With the country on the brink of rebellion, Dorothy Forster’s life at Bamburgh Hall is ruled by the men in her life – her feckless brothers stirring up trouble at court, her elderly father with his dangerous secrets and the man she loves who the world seems determined to keep her apart from. As tensions grow, Dorothy finds herself caught between the warring factions, danger everywhere. Then Dorothy discovers her family are the keepers of the legendary Rose, the talisman both sides believe will guarantee them victory in this deadly conflict.