Showing titles in History & Criticism

From grand follies to misunderstood masterpieces, disastrous sequels to catastrophic literary adaptations, Tim Robey's hugely entertaining Box Office Poison tells an alternative history of Hollywood, through a century of its most notable flops. Freaks, Land of the Pharaohs, Dune, Speed 2, Catwoman, Cats: what can these films tell us about the Hollywood system, the public's appetite - or lack of it - and the circumstances that saw such box office disasters actually made? Away from the canon, here is the definitive take on these ill-fated, but essential celluloid failures.

The gifted filmmaker, corduroy activist and amateur dentist, Richard Ayoade, first chanced upon a copy of The Two-Hander Trilogy by Harauld Hughes in a second-hand bookshop. At first startled by his uncanny resemblance to the author's photo, he opened the volume and was electrified. Terse, aggressive, and elliptical, what was true of Ayoade was also true of Hughes's writing, which encompassed stage, screen, and some of the shortest poems ever published.

When Brian De Palma agreed to allow Julie Salamon unlimited access to the film production of Tom Wolfe's best-selling book The Bonfire of the Vanities, both director and journalist must have felt like they were on to something big. How could it lose? But instead Salamon got a front-row seat at the Hollywood disaster of the decade.

When did you last hang out with Jim, Pam, Dwight, Michael, and the rest of Dunder Mifflin? It might have been back in 2013, when the series finale aired...or it might have been last night, when you watched three episodes in a row. But either way, long after the show first aired, it’s more popular than ever, and fans have only one problem - what to watch, or listen to, next. Fortunately, writer Andy Greene has that answer. In his brand-new oral history, The Office: The Untold Story of the Greatest Sitcom of the 2000s, Greene takes listeners behind the scenes.

Rory Cellan-Jones knew he was the child of a love affair between two BBC employees. But until his mother, Sylvia, died and he found a file labelled 'For Rory' he had no idea of their beginnings or ending. Or why his peculiarly isolated childhood had so tested the bond between him and Sylvia, who was single-parenting two sons in a one-bedroom fl at while working full time through the Fifties and Sixties. 'For Rory,' his mother had written on the file before she died, 'in the hope that it will help him understand how it really was ...'

The tale of Luke Skywalker, Han Solo, and the fall and redemption of Anakin Skywalker has become modern myth, an epic tragedy of the corruption of a young man in love into darkness, the rise of evil, and the power of good triumphing in the end. But it didn't start out that way. In this thorough account of one of cinema's most lasting works, Michael Kaminski presents the true history of how Star Wars was written, from its beginnings as a science fiction fairy tale to its development over three decades into the epic we now know, chronicling the methods, techniques, thought processes, and struggles of its creator.

From a veteran culture writer and modern movie expert, a celebration and analysis of the movies of 1999 - arguably the most groundbreaking year in American cinematic history.

The history of international cinema is now available in a concise, conveniently sized, and affordable volume. Succinct yet comprehensive, A Short History of Film provides an accessible overview of the major movements, directors, studios, and genres from the 1880s to the present.

Since The Karate Kid first crane-kicked its way into the pop culture stratosphere in June 1984, there hasn’t been a week Ralph Macchio hasn’t heard friendly shouts of “Wax on, wax off” or “Sweep the leg!” Now, with Macchio reprising his role as Daniel LaRusso in the number one ranked Netflix show Cobra Kai, he is finally ready to look back at this classic movie and give the fans something they’ve long craved.

Among a crop of fresh filmmakers including Steven Spielberg, George Lucas, Martin Scorsese, and Francis Ford Coppola revolutionizing Hollywood in the ’70s, Brian De Palma—a director from Philadelphia with a few social satires under his belt—charted a cinematic path unlike any of his peers. At times he was unfairly dismissed as a Hitchcock copycat; other times he was misunderstood for his peculiar mix of sexuality, humor, music, and violence. But, over the course of ten years, he created a new cinematic language.

In the spring of 1987, over 60 million viewers tuned in to watch Maddie Hayes (Cybill Shepherd) and David Addison (Bruce Willis) “get together” in one of the most famously controversial scenes in television history on Moonlighting, ABC’s groundbreaking series about an epically mismatched pair of private detectives. Two years later, the show was canceled due to low ratings. What happened?

This fascinating audio program includes actual radio commercials from classic movies of the 1970s: Love Story (1970), Straw Dogs (1971), The French Connection (1971), The Concert for Bangladesh (1972), Super Fly (1972), Sisters (1973), That Man Bolt (1973), Walking Tall (1973), The Exorcist (1973), Young Frankenstein (1974), Chinatown (1974), Mandingo (1975), Linda Lovelace for President (1975), Rocky (1976), Gator (1976), Lipstick (1976), Creature From Black Lake (1976), High Anxiety (1977).

At once a pop culture icon, cult figure, and film industry outsider, master filmmaker David Lynch and his work defy easy definition. Dredged from his subconscious mind, Lynch's work is primed to act on our own subconscious, combining heightened, contradictory emotions into something familiar but inscrutable. No less than his art, Lynch's life also evades simple categorization, encompassing pursuits as a musician, painter, photographer, carpenter, entrepreneur, and vocal proponent of Transcendental Meditation.

Hollywood was born just over a century ago, at a time of huge forward motion for women's rights. With no rules in place to stop them, there were women who forged ahead in many areas of filmmaking. Yet, despite the work of early pioneers like Dorothy Arzner, Mabel Normand, Mary Pickford and Alice Guy-Blaché, it soon came to embody the same old sexist standards. Women found themselves fighting a system that fed on their talent, creativity and beauty but refused to pay them the same respect as their male contemporaries - until now....

With the television hits The Odd Couple, Happy Days, Laverne & Shirley, and Mork & Mindy, and movies like The Flamingo Kid, Beaches, Pretty Woman, and The Princess Diaries under his belt, Garry Marshall was among the most successful writers, directors, and producers in America for more than five decades. His work on the small and big screen delighted audiences for decades and has withstood the test of time.

Cinema is full of neurotic personalities, but few things are more transfixing than a woman losing her mind onscreen. Horror as a genre provides the most welcoming platform for these histrionics: crippling paranoia, desperate loneliness, masochistic death-wishes, dangerous obsessiveness, apocalyptic hysteria. Unlike her male counterpart—the eccentric'—the female neurotic lives a shamed existence, making these films those rare places where her destructive emotions get to play.

Down and Dirty Pictures chronicles the rise of independent filmmakers and of the twin engines - the Sundance Film Festival and Miramax Films - that have powered them. Peter Biskind profiles the people who took the independent movement from obscurity to the Oscars, most notably Sundance founder Robert Redford and Harvey Weinstein, who with his brother, Bob, made Miramax an indie powerhouse.

From its first publication in 1992, Men, Women, and Chain Saws has offered a groundbreaking perspective on the creativity and influence of horror cinema since the mid-1970s. Investigating the popularity of the low-budget tradition, Carol Clover looks in particular at slasher, occult, and rape-revenge films. Although such movies have been traditionally understood as offering only sadistic pleasures to their mostly male audiences, Clover demonstrates that they align spectators not with the male tormentor, but with the females tormented.

Brimming with previously untold stories and insights, How Coppola Became Cage both revels in and demystifies Cage's onscreen eccentricities. No other modern actor has explored such profound creative extremes while bending the boundaries of good taste. Here is the origin story of an actor who truly is wild at heart and weird on top.

Batman is one of the most compelling and enduring characters to come from the Golden Age of Comics, and interest in his story has only increased through countless incarnations since his first appearance in Detective Comics #27 in 1939. Why does this superhero without superpowers fascinate us? What does that fascination say about us? Batman and Psychology explores these and other intriguing questions about the masked vigilante.