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Iris Murdoch once observed: 'philosophy is often a matter of finding occasions on which to say the obvious'. What was obvious to Murdoch, and to all those who read her work, is that Good transcends everything—even God. Throughout her distinguished and prolific writing career, she explored questions of Good and Bad, myth and morality. The framework for Murdoch's questions—and her own conclusions—can be found here.

Sal the Cacophony - outlaw, outcast, outnumbered - destroys all that she loves. Her lover lost and cities burned in her wake, all she has left is her magical gun and her all-consuming quest for revenge against those who stole her power and took the sky from her. When the roguish agent of a mysterious patron offers her the chance to participate in a heist to steal an incredible power from the famed airship fleet the Ten Arrows, she finds a new purpose.

Sal the Cacophony has made few friends, but many enemies. Many, many enemies. When her magic was taken from her, she cried out for revenge. And a power she never understood promised her vengeance. A deal for a bloody price was made. And now the bill has come due. In one of the last free cities of the burned-out ruin of the Scar, Sal’s many foes—old and new—have hunted down her and her few allies—willing and otherwise—and all her plans to save them might not be enough.

The story of Edgar Phirst is an interplanetary psychodrama shadowing the unfortunate events of a young homeless man. Edgar is trying to understand his identity while navigating his pending legal charges. Set in a time when the nation is growing tired of religion, billionaire mogul Frank Monarch is a beacon to society. Monarch, who has his hand in pharmaceuticals, politics, the military and galactic governance, prides himself in having built the most efficient prison system known to man. It just happens to be stationed on Mars.