Showing results by narrator "Paul Fox" in All Categories

Evelyn Waugh is one of the pre-eminent English novelists of the 20th century. This collection comprises six of his finest works, dramatised by award-winning writer Jeremy Front, including Decline and Fall, Brideshead Revisited, Scoop and Sword of Honour (The Waugh Trilogy).

A portal is a point of possibility, a step into a thousand journeys. Join leading researcher Freddy Silva as he takes you on a magical tour around the world to places on the land where the laws of physics behave differently and the perception of overlapping realities is both apparent and immediate. Experience Cadair Idris in Wales, Tintagel in England, the west coast of Scotland, Kura Tawhiti in New Zealand, Tse Bit'a'i in New Mexico, the plateau of Giza, and power places high in the Andes.

Nick Turnhouse is a Dorset farmhand, a third son with nothing to inherit and no future, working his father's land for his keep. He is also tall, powerfully built, and handsome, and crosses the path of Squire's impressionable daughter. Nick has to run, fast, with ten shillings and his father's blessing. Luckily, or so he thinks, he comes across a kind gentleman who can help him. After Nick is persuaded to say that he is looking for work, he discovers the man is recruiting for the Navy, and Nick has just 'volunteered in fact'.

Nick Turnhouse continues his helter-skelter advance from Dorset farmhand to naval officer, relying on his sword arm and quick intelligence to achieve success. As he progresses, he is increasingly conscious of all he does not know, and how much he must rely on his subordinates to provide their knowledge of the sea. He also keenly appreciates how much he needs the aid and advice of Captain Woodmore, who has done so much to help him rise in the world.

Nick Turnhouse is captain of his own sloop, and increasingly aware of how rapidly he has been promoted and how much he does not know. He is reliant on the professional skill and goodwill of Master and Boatswain, both of whom are long experienced and old, coming close to the end of their seagoing days.

Captain Nicholas Turnhouse—Bloody Nick—takes his new experimental Amphion-class heavy frigate out to the Mediterranean to join the command of Old Jervie, Lord St Vincent, immediately after the Battle of the Nile. His ship is new and powerful . . . and sails like a pig. He must make the best of it under the command of the harshest, but possibly fairest, taskmaster in the Navy. There are still a few rich prizes left, and any number of belligerent French and Spanish ships of war, and the Barbary Rovers are enjoying their final resurgence.

When Edgar dies in a Far East prisoner-of-war camp, it breaks the heart of fellow prisoner Starling, the man who loved him. When he visits Edgar’s family after the war, Edgar's mother, Clementine, mistakes him for another man, and he fails to correct the mistake. Playing the role of someone else and being in Edgar’s home with those who loved him stirs powerful and disorientating emotions in Starling. Edgar’s loss has driven his sister, Aida, to seek solace in the arms of a series of men–but the meeting with Starling sparks a powerful and complex connection.

Nick Turnhouse knows how lucky he has been, and has little choice other than to ride the wave of his good fortune, regardless of where it may take him. He has made himself into Bloody Nick and must continue to take risks and hope to survive them if he is to make his fortune at sea.

The new rich and compelling novel from the author of The Girl Who Came Home. Perfect for fans of Kate Morton and Rachel Hore. Dolly Lane is a dreamer, a downtrodden maid who longs to dance on the London stage, but the outbreak of war takes everything from her: Teddy, the man she loves - and her hopes of a better life. When she secures employment as a chambermaid at London's grandest hotel, The Savoy, Dolly's proximity to the dazzling guests makes her yearn for a life beyond the grey drudgery she was born into.

Bloody Nick Turnhouse is in fine fettle, a frigate captain and respected by those who know him. He has taken a ship twice to the Bight of Benin and survived both occasions, falling to none of the fevers. Unfortunately, this has made him one of the few naval captains with a close knowledge of the fatal shores and Their Lordships are inclined to see him as their sole expert in sailing waters that have previously only been familiar to slavers and the few Guineamen.

Four clergymen seek to make sense of their mission while being torn in all directions by the Church of England. After a critically-lauded debut in 1990 at London’s National Theatre, Racing Demon went on to earn universal acclaim. More than 20 years later, David Hare’s bold and moving revelations on gay ordination and the doctrine of the priesthood ring more resoundingly than ever.

Denmark has a large ocean-going fleet, but is neutral and terrified of France. Nick Turnhouse is tasked to find a way of taking the Danish fleet, laid up in Copenhagen, intact and immediately usable. There is a way—provided he and the government of the day are prepared to sacrifice honor and decency. Perfidious Albion may yet prevail.

Captain Turnhouse RN—Bloody Nick—is still in the Mediterranean, nursing his experimental frigate and enjoying the mixed blessings of being favored by Old Jervie, a hard but just taskmaster. The French are still reeling from the shock of the Battle of the Nile, the Ottoman Empire is hastening into decline, the Spanish are in their customary disarray, and the Barbary Rovers are enjoying a resurgence. The Mediterranean is in a state of chaos—ideal for a predatory young captain, even if at first in an unreliable ship.

For psychological profiler Hanne Lagerlind-Schön, life is good. She and her partner, investigator Peter Lindgren, have just returned from a dream holiday in Greenland, and the symptoms of her early onset dementia seem to be under control. Then they are asked to go to the small, sleepy industrial town of Ormberg to investigate a cold case: 10 years earlier a five-year-old girl's remains were found in a cairn near the town. With her dementia creeping back again, Hanne starts to keep a diary noting down everything she is likely to forget.

The short-lived Peace of Amiens is over. Entered into in bad faith, the Peace has provided both sides with the chance to take a breath and restock their arsenals. Sir Nicholas Turnhouse, Bloody Nick, has recovered from his wound and is ready to go to sea again, supported by his lady. Only at sea will he be able to achieve the promotion in rank and honors that both believe to be his due. He is given Hawke, 44, again and sets out for the Indian Ocean and the Red Sea to tidy up the remnants of Napoleon's Army of Egypt.

One moment, Isla Crawford is inside McQuivey’s Costume Shop trying on a Jacobean-style gown for the parliamentary Autumn Ball, and the next, she is standing in an unfamiliar garden, barefoot, coatless, and at the mercy of a fierce storm. Confused, she seeks refuge in a Tudor manor, where she discovers that she has inexplicably traveled back to 1605, mere weeks before the culmination of Guy Fawkes’s infamous Gunpowder Plot.

Nick Turnhouse is now a senior captain, some two thirds of the way up the List, perhaps as little as five years short of automatic promotion to Rear Admiral. As such, he must accept more responsibility, and he will be expected to offer more than blind obedience to his orders. It is time to replace Bloody Nick with Sir Nicholas.

The second son of the Baron of Fox Keep, Gerin never wanted title or responsibility, but both were thrust on him when his father and brother were ambushed and slain by enemy Trokmê raiders. Leaving behind the urban bustle of Cassat and his studies in philosophy and magic, Gerin the Fox returned home to accept his place among the other barons of the Northern marches—a region secluded from the rest of the Empire of Elabon.

Peace in the North has been fragile and tentative in the five years since the terrible Werenight, when the light of four full moons transformed men into beasts. Now cut off completely from the Elabon Empire, the land is in violent dispute, squabbled over by minor barons hungry for greater power. Gerin the Fox is one of the few who stand firm against the encroaching chaos, but his own life has been violently shaken, first by a heartless betrayal and then by the kidnapping of his young son. Having angered a vengeful deity, he cannot look to the gods for support.

The acclaimed Scottish playwright Rona Munro has created a remarkable story about a man who wakes up from a car crash with brain damage. Now, he sees the world as the person he was three years ago, when his life and loves were in a very different place. This play is part of L.A. Theatre Works’ Relativity Series featuring science-themed plays.