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Gemini
- Narrated by: Therese Plummer, Eric Michael Summerer
- Length: 10 hrs and 16 mins
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Summary
Diner waitress Allison Abraham had no idea her mundane life was about to dramatically change the day she serves a devastatingly handsome customer. Allison is immediately captivated by the mysterious man who stared through her soul with his electric blue eyes. After he abruptly leaves the restaurant, she can't get him out of her head. She has no idea that he had actually come on a mission to find her. Cedric Callahan wasn't expecting to fall in love at first sight with the pretty waitress he'd set out to find. In fact, she was the last woman on Earth he should be having feelings for. But his selfish heart had other plans. Feeling compelled to know her before revealing himself, he makes her believe their meetings are coincidental. After a passionate romance ignites, Cedric's lies and secrets are finally revealed, changing both of their lives forever.
What listeners say about Gemini
Average customer ratingsReviews - Please select the tabs below to change the source of reviews.
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- CRYSTAL CLEAR
- 18-08-15
A wonderful emotional roller coaster
Alison and Cedrick's story is one that effects you every time you pause listening, more than once I found myself in tears but then smiling manically with shear joy. Those diverse reactions were due in part to two 'very talented ' narrators and to a 'very talented & creative' author. I can't wait to hear Jakes story which comes next.
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- susana
- 31-10-17
Awesome
Loved every minute wanted more. Was a lovely story with very nice detailed information. Really cool
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- HelgaCabbage
- 03-09-15
Slow and boring.
What could have made this a 4 or 5-star listening experience for you?
It took far too long for anything to happen, and I didn't care about the main characters or their relationship because it seemed all they had to say about the other person for the first half of the book, was that they were so beautiful / gorgeous. If that is the sole reason for someone becoming obsessed with another person to the point of despair if they don't see each other, it makes me hate characters who are apparently so shallow.
It was mostly predictable and boring. I thought there was going to be a much better obstacle keeping the two characters apart, and when the 'reveal' happened I found it kind of silly, as if he'd just been upfront about it in the first place, I doubt it woud have been a problem at all.
I found a lot of the throwaway comments to be patronising and sometimes thoughtlessly insulting, for example, a gay character says that his boyfriend has a job as a drag queen but is 'not a cross-dresser, he's a real man'... I'm sorry but how does being a cross-dresser make you less of a real man?
Characters like the gay best friend seemed to only be included for the purpose of showing us how nice and open minded the heroine was, because they never appeared again after the first meeting. It felt as forced and stupid as introducing a dark-skinned character and talking with them about how great they look in warm colours just so she can prove she isn't racist. These days don't we just assume you aren't racist or homophobic unless shown otherwise? Do we need to admire the heroine because she can be friends with a gay guy? Big deal! The friendship was pointless, the scene with that character was therefore pointless, and as so much of this story did, it dragged.
I also found parts of the story a bit moralising and preachy. Drinking = bad. Violence = bad. Leaving an abusive relationship = good. We GET IT.
What could Penelope Ward have done to make this a more enjoyable book for you?
I wish she had made her male characters more realistic.
As someone who has a lot of male friends as well as an older brother, the idea that men sit around constantly confiding in each other about their feelings and their love lives is pretty ridiculous to me.
The author seemed to think putting a beer in their hands and scattering the word 'man' into their conversations with each other was all it took to make them believable male characters. It did not. They sounded like women. And obsessed overly-emotional women at that.
There was also a massive over-simplifications of subjects like drinking problems, violence, and autism. The scene where Alison makes almost immediate friends with an adult autistic woman by the giving and withholding of an iPad as a reward / punishment felt like a dog training exercise and made me cringe.
She could also have chosen a different name for her hero. 'Cedric' just doesn't do it for me. But that's just personal preference...
Did the narration match the pace of the story?
The narration was okay, although I heartily wish the flatmate character had not been British because American narrators doing British accents are almost inevitably dreadful. I have heard worse, but it was still painful.
What character would you cut from Gemini?
The unnecessary 'best' friend, the ex-boyfriend, the two-dimensional soon-to-be-ex girlfriend, the lonely diner guy… so many characters who served almost no purpose or were there simply to try and force us to think well of the heroine.
Any additional comments?
There were a few scenes I enjoyed, such as when they have a Skype call and Cedric raps. We actually see something more from the characters than just how hot or beautiful they are, or how obsessed with each other they are, and get some actual personality. One of the few times I started to almost care.
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