
The Quickening
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Narrated by:
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Katherine Press
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By:
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Rhiannon Ward
About this listen
Feminist gothic fiction set between the late 19th century and the early 20th century - an era of burgeoning spiritualism and the suffragette movement - that couldn't be more relevant today.
England, 1925. Louisa Drew lost her husband in the First World War and her six-year-old twin sons in the Spanish Flu epidemic of 1918. Newly remarried to a war-traumatised husband and seven months pregnant, Louisa is asked by her employer to travel to Clewer Hall in Sussex, where she is to photograph the contents of the house for auction.
She learns Clewer Hall was host to an infamous séance in 1896, and that the lady of the house has asked those who gathered back then to come together once more to recreate the evening. When a mysterious child appears on the grounds, Louisa finds herself compelled to investigate and becomes embroiled in the strange happenings of the house. Gradually, she unravels the long-held secrets of the inhabitants and what really happened 30 years before...and discovers her own fate is entwined with that of Clewer Hall's.
An exquisitely crafted and compelling mystery that invites the listener into the crumbling Clewer Hall to help unlock its secrets alongside the unforgettable Louisa Drew.
For fans of The Silent Companions, The Little Stranger and The Familiars.
©2020 Rhiannon Ward (P)2020 Orion Publishing GroupAlright
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Overall lovely narration and great story
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The excellent narration
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1. If you could sum up ‘The Quickening’ by Rhiannon Ward in 3 words, what would they be?
Sluggish, transparent and leaden (as in hue).
2. How credible/believable did you find the narrator/s to be?
Initially the tone of Katherine Press’s voice came across as impassioned and monotonous - however, in time I felt that it was well suited to the dismal/grim atmosphere that the novel tends to exude.
3. Any additional comments:
In part I found the storyline transparent and therefore it sadly fell short of my expectations. However, I did enjoy Rhiannon Ward’s literary style - it was aptly descriptive, at times affective and effortless - this I deeply appreciate. A short passage that I found memorable was “....the edges of grief begin to blunt....” - time assists with this, I’m sure many of us can relate. I also welcomed Louisa and George’s “lack of regard for convention”. Overall, this novel is very listenable.
Unfulfilling
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Well read but marred by mispronounced words
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The sound was a bit odd - it sounded as though the narrator was being recorded with her head in a cardboard box, and yes, as mentioned by others, a couple of the words were mispronounced. However neither of these things detracted from my enjoyment and overall I really liked both the pace and the style of the narration - it kept me hooked into the story. The story itself was very enjoyable and had some twists and turns to keep readers guessing. The underlying theme of a traumatised country coping with changing times post-war, and the reactions to the changing roles of women, also provided an interesting backdrop. Social class was a strong theme, and the decay of the house with its ghosts and relics reflected the beginning of a time of change relating to social equality and opportunity. If you are looking for a story of a haunting, woven into a detailed and intriguing post-war historical plot, I’d highly recommend it.
Ghosts and mad women!
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interesting but slow paced
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OK but not great and the narration was too fast.
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It was well written and I enjoyed it, it was a good example of gothic horror I’d say, up there in terms of story with Laura Purcell, I just wish it had been edited down a bit in the middle.
Great performance on the audiobook and I look forward to the next book by the author.
Good but not quite great
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Brilliant
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