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The second instalment of Tolkien's epic tale, adapted from the original BBC Radio 4 full-cast dramatisation. Having fled the Shire in their escape from Sauron's Dark Riders, Frodo and the Fellowship of the Ring have journeyed to Rivendell and beyond

Part One, The Fellowship of the Ring, introduces us to Frodo Baggins. With his uncle Bilbo having mysteriously disappeared, Frodo finds himself in possession of a simple gold ring that has great and evil power. It is the Ruling Ring, taken long ago from the Dark Lord, Sauron, who now seeks to possess it again. Frodo must do everything he can to prevent this, and with the help of Gandalf the wizard and a band of loyal companions he begins a perilous journey across Middle-earth.

The evil Saruman has been defeated by Gandalf, but in Mordor the battle for the Ruling Ring continues. Wounded by the giant spider, Shelob, Frodo has been captured by the dreaded orcs

Everybody knows there's no such thing as a female wizard. So when the wizard Drum Billet accidentally passes on his staff of power to an eighth daughter of an eighth son, a girl called Eskarina (Esk, for short), the misogynistic world of wizardry wants nothing to do with her.

The Discworld is in danger, heading towards a seemingly inevitable collision with a malevolent red star, its magic fading. It needs a hero, and fast. What it doesn't need is Rincewind, an inept and cowardly wizard who is still recovering from the trauma of falling off the edge of the world. Or Twoflower, the well-meaning tourist whose luggage has a mind (and legs) of its own.

When the neighbours in question are the proud empires of Klatch and Ankh-Morpork, those are going to be some pretty large garden tools indeed. Of course, no-one would dream of starting a war without a perfectly good reason...such as a 'strategic' piece of old rock in the middle of nowhere. It is after all every citizen's right to bear arms to defend their own. Even if it isn't technically their own. And even if they don't have much in the way of actual weaponry.

The City Watch needs men! But what it's got includes Corporal Carrot (technically a dwarf), Lance-Constable Cuddy (really a dwarf), Lance-Constable Detritus (a troll), Lance-Constable Angua (a woman...most of the time) and Corporal Nobbs (disqualified from the human race for shoving). And they need all the help they can get, because someone in Ankh-Morpork has been getting dangerous ideas - about crowns and legendary swords and destiny.

For a policeman, there can be few things worse than a serial killer loose in your city. Except, perhaps, a serial killer who targets coppers, and a city on the brink of bloody revolution. For Commander Sam Vimes, it all feels horribly familiar. Caught on the roof of a very magical building during a storm, he's found himself back in his own rough, tough past without even the clothes he was standing up in when the lightning struck. Living in the past is hard, especially when your time travel companion is a serial killer who knows where you live.

The witches Granny Weatherwax, Nanny Ogg and Magrat Garlick are travelling to far-distant Genua to stop a wedding and save a kingdom. But how do you fight a happy-ever-after, especially when it comes with glass slippers and a power-hungry Fairy Godmother who has made Destiny an offer it can't refuse? It's hard to resist a good story, even when the fate of the kingdom depends on it....

For Commander Vimes, Head of Ankh-Morpork City Watch, life consists of troubling times, linked together by...well, more troubling times. Right now, it's the latter. There's a werewolf with pre-lunar tension in the city and a dwarf with attitude and a golem who's begun to think for itself, but that's just ordinary trouble. The real problem is more puzzling - people are being murdered, but there's no trace of anything alive having been at the crime scene.

Three witches gathered on a lonely heath. A king cruelly murdered, his throne usurped by his ambitious cousin. A child heir and the royal crown, both missing.

Insurrection is in the air in the city of Ankh-Morpork. The Haves and Have-Nots are about to fall out all over again. Captain Sam Vimes of the city's ramshackle Night Watch is used to this. It's enough to drive a man to drink. Well, to drink more. But this time, something is different - the Have-Nots have found the key to a dormant, lethal weapon that even they don't fully understand and they're about to unleash a campaign of terror on the city. Time for Captain Vimes to sober up.

Koom Valley, the ancient battle where the trolls ambushed the dwarfs, or the dwarfs ambushed the trolls, was a long time ago. But if he doesn't solve the murder of just one dwarf, Commander Sam Vimes of Ankh-Morpork City Watch is going to see it fought again, right outside his office. With his beloved Watch crumbling around him and war-drums sounding, he must unravel every clue, outwit every assassin and brave any darkness to find the solution. And darkness is following him.

Moist von Lipwig is a con artist and a fraud and a man faced with a life choice: be hanged, or put the ailing postal service of Ankh-Morpork back on its feet. It's a tough decision. The post is a creaking old institution, overshadowed by new technology. But there are people who still believe in it and Moist must become one of them if he's going to see that the mail gets through, come rain, hail, sleet, dogs, the Post Office Workers Friendly and Benevolent Society, an evil chairman...and a midnight killer. Getting a date with Adora Bell Dearheart would be nice, too.

They say that diplomacy is a gentle art. That mastering it is a lifetime's work. But you do need a certain inclination in that direction. It's not something you can just pick up on the job. A few days ago Sam Vimes was a copper - an important copper, true - chief of police - but still, at his core, a policeman. But today he is an ambassador - to the mysterious, fat-rich country of Uberwald. Today, Sam Vimes is also a man on the run. At some point during his ambassadorship, things went very wrong. It's snowing. It's freezing.

Somewhere on the frontier between thought and reality exists the Discworld, a parallel time and place that might sound and smell very much like our own, but which looks completely different. Particularly as it’s carried though space on the back of a giant turtle (sex unknown). It plays by different rules. But then, some things are the same everywhere. The Disc’s very existence is about to be threatened by a strange new blight: the world’s first tourist, upon whose survival rests the peace and prosperity of the land.

Being 16 is always difficult, even more so when there's a Death in the family. After all, it's hard to grow up normally when Grandfather rides a white horse and wields a scythe. Especially if he decides to take a well-earned moment to uncover the meaning of life and discover himself in the process, so that you have to take over the family business, and everyone mistakes you for the Tooth Fairy.

Religion is a competitive business in the Discworld. Everyone has their own opinion and their own gods, of every shape and size - all fighting for faith, followers, and a place at the top.

Death comes to us all. When he came to Mort, he offered him a job. Death is the Grim Reaper of the Discworld, a black-robed skeleton with a scythe who ushers souls into the next world. He is also fond of cats and endlessly baffled by humanity. Soon Death is yearning to experience what humanity really has to offer, but to do that, he'll need to hire some help. It's an offer Mort can't refuse. As Death's apprentice he'll have free board, use of the company horse—and being dead isn't compulsory. It's a dream job—until Mort falls in love with Death's daughter, Ysabell.

Cameras roll, for the first time, on the Discworld when alchemists discover the excitement of the silver screen. But what is the dark secret of Holy Wood hill? As the clichés of Tinsel Town pour into the world, it's up to the Disc's first film stars to find out. Join Victor Tugelbend and Theda Withel as they battle the forces of evil and cinema advertising. They're about to discover that the magic of the silver screen might be powerful enough to put an end to, well, everything.