Showing results by narrator "Peter Bills" in All Categories

'Look after the dead,' said the priests, 'and the dead will look after you.' Wise words in all probability, but a tall order when, like Teppic, you have just become the pharaoh of a small and penniless country rather earlier than expected, and your treasury is unlikely to stretch to the building of a monumental pyramid to honour your dead father. He'd had the best education money could buy of course, but unfortunately the syllabus at the Assassin's Guild in Ankh-Morpork did not cover running a kingdom and basic financial acumen....

On Midsummer Night, dreams are especially powerful. So powerful, in fact, that they can cause the walls between realities to come crashing down. And some things you really don't want to break through.

Time is a resource. Everyone knows it has to be managed. You mess with it at your peril. You can let it move fast or slowly, but what you mustn't do is allow it to stop. The Monks of History have the glamorous job of time management in the Discworld. They store it and pump it from the places where it's wasted (like underwater—how much time does a codfish need?) to places like cities, where there's never enough time. But the construction of the world's first truly accurate clock starts a race against, well, time for Lu Tze and his apprentice Lobsang Ludd.

Vampires have come to Lancre, but they're not what you'd expect. Sure, they drink blood and view humans as dinner, but they're modern and sophisticated. They've got style and fancy waistcoats. And they're not a bit afraid of garlic. The Magpyr family are out of the casket and want a bite of the future. But they haven't met the neighbours yet. Between them and Lancre stand a coven of four - Granny Weatherwax, Nanny Ogg, Magrat and young Agnes - and they don't take kindly to murderous intruders....

Death has been fired by the Auditors of Reality for the heinous crime of developing…a personality. Sent to live like everyone else, Death takes a new name and begins working as a farmhand. He's got the scythe already, after all. And for humanity, Death is just…gone. Which leads to the kind of chaos you always get when an important public service is withdrawn. If Death doesn't come for you, then what are you supposed to do in the meantime? You can't have the undead wandering about like lost souls—there's no telling what might happen.

William de Worde is the accidental editor of the Discworld's first newspaper. Now he must cope with the traditional perils of a journalist's life - people who want him dead, a recovering vampire with a suicidal fascination for flash photography, some more people who want him dead in a different way and, worst of all, the man who keeps begging him to publish pictures of his humorously shaped potatoes.

Tiffany Aching leaps into a dance - and suddenly the spirit of winter is in love with her. He's showering her with snowflakes and offering her a crown of ice. Which is creepy, but also just a little bit...cool. Now she's dancing to his tune. She can't change the steps. But unless Tiffany can work out how to deal with the Wintersmith, there will never be another springtime.

The Royal Bank is facing a crisis, and it's time for a change of management. There are a few problems that may arise with the job.... The Chief Cashier is almost certainly a vampire - there's something nameless in the cellar and it turns out that the Royal Mint runs at a loss. Meanwhile, people actually want to know where the money's gone. It's a job for life. But, as former con-man Moist von Lipwig is learning, that life is not necessarily a long one. He's about to be exposed as a fraud, but if he's lucky the Assassins' Guild might get him first.

An eighth son of an eighth son is born, a wizard squared, a source of magic. A sourcerer. Unseen University, the Discworld's most magical establishment, has finally got its wish: the emergence of a wizard more powerful than ever before. You'd think they would have been a little more careful what they wished for.... As the sourcerer takes over the University and sets his sights on the rest of the world, only one wizard manages to escape his influence. Unfortunately for everyone, it's Rincewind.

Football has come to the ancient city of Ankh-Morpork. And now the wizards of Unseen University must win a football match without using magic...so they're in the mood for trying everything else. To do so, they recruit an unlikely group of players: Trev, a street urchin with a talent for kicking a tin can; Glenda, the night chef who makes a mean pie; Juliet, the kitchen hand turned world's greatest fashion model; and the mysterious Mr Nutt, who has something powerful, and dark, locked away inside him.

The Opera House in Ankh-Morpork is home to music, theatrics and a harmless masked Ghost who lurks behind the scenes. But now a set of mysterious backstage murders may just stop the show. Agnes Nitt has left her rural home of Lancre in the hopes of launching a successful singing career in the big city. The only problem is, she doesn't quite look the part. And there are two witches who would much rather she return home to join their coven.

The stockings are hanging ready, the sherry and pies are waiting by the fireplace - but where is the jolly fat man with his sack? It's not right to find Death creeping down chimneys and trying to say 'Ho ho ho'—but someone's got to bring the little kiddies their presents. Or else they might stop believing. Belief is important in Discworld, particularly on the last night of the year when the time is turning. If the real man in the red suit isn't found by morning, there won't be a morning. Ever again....

Tiffany Aching is ready to begin her apprenticeship in magic, but life isn't exactly what she thought it would be. She expects spells and magic - not chores and ill-tempered goats! Surely there must be more to witchcraft than this? And Tiffany will find that she needs her magic more than ever, to fight off the insidious, disembodied creature that is pursuing her. This time, neither Mistress Weatherwax (the greatest witch in the world) nor the fierce, six-inch-high Wee Free Men can protect her. In the end, it will take all of Tiffany's inner strength to save herself.

Change is in the air for Moist von Lipwig, swindler, con-man and (naturally) head of the Royal Bank and Post Office. A steaming, clanging new invention - a steam locomotive named Iron Girder, to be precise - is drawing astonished crowds. Suddenly it's a matter of national importance that the trains run on time. Moist does not enjoy hard work. His input at the bank and post office consists mainly of words, which are not that heavy. Or greasy. And it certainly doesn't involve rickety bridges, runaway cheeses or a fat controller with knuckledusters.

As the witch of the Chalk, Tiffany Aching performs the distinctly unglamorous work of caring for the needy. But someone - or something - is inciting fear, generating dark thoughts and angry murmurs against witches. Tiffany must find the source of unrest and defeat the evil at its root. Aided by the tiny-but-tough Wee Free Men, Tiffany faces a dire challenge, for if she falls, the whole Chalk falls with her.

This is the worst thing you can wish on a citizen of Discworld. Especially for the magically challenged Rincewind, who has already had far too much excitement in his life. Unfortunately, the unlucky wizard always seems to end up in the middle of, well, absolutely everything. So when a request for a 'Great Wizzard' arrives from the faraway Counterweight Continent, it's obviously Rincewind who's sent. For one thing, he's the only one who spells wizard that way.

Women belong in the kitchen - everyone knows that. Not in jobs, pubs or indeed trousers, and certainly not on the front line. Nonetheless, Polly Perks has to become a boy in a hurry if she wants to find her missing brother in the army. Cutting off her hair and wearing the trousers is easy. Learning to fart and belch in public and walk like an ape takes more time. There's a war on. There's always a war on, and Polly and her fellow raw recruits are suddenly in the thick of it. All they have on their side is the most artful sergeant in the army and a vampire with a lust for coffee.

Rincewind, inept wizard and reluctant hero, has found himself magically stranded on the Discworld's last continent. It's hot. It's dry. There was this thing once called The Wet, which no one believes in any more. Practically everything that's not poisonous is venomous. But it's the best bloody place in the world, all right? And in a few days, it will die. The only thing standing between the last continent and wind-blown doom is Rincewind, and he can't even spell wizard. Still...no worries, eh?

Bill Nighy, Barbara Shelley and Peter Sallis are among the cast in six classic BBC Radio dramatisations of stories by one of Britain's most popular science fiction authors. 'The Day of the Triffids', first broadcast in 1968, is set in a world in which most people have been left blind after a meteor shower, and lethal carnivorous triffids are roaming the land. 'The Kraken Wakes', dramatised for radio in 1998, is a gripping story of monsters from the deep, alien invasion and ecological disaster.

Deep in the Chalk, something is stirring. The owls and the foxes can sense it, and Tiffany Aching feels it in her boots. An old enemy is gathering strength. This is a time of endings and beginnings, old friends and new, a blurring of edges and a shifting of power. Now Tiffany stands between the light and the dark, the good and the bad. As the fairy horde prepares for invasion, Tiffany must summon all the witches to stand with her. To protect the land. Her land. There will be a reckoning.