Showing results by author "Simenon Georges" in All Categories

Georges Simenon's tragic tale of lost identity, translated by David Coward as part of the new Penguin Maigret series. What was the woman doing here? In a stable, wearing pearl earrings, her stylish bracelet and white buckskin shoes! She must have been alive when she got there because the crime had been committed after 10 in the evening. But how? And why? And no one had heard a thing! She had not screamed. The two carters had not woken up.

The first audiobook which appeared in Georges Simenon's famous Maigret series, in a gripping new translation by David Bellos.Inevitably Maigret was a hostile presence in the Majestic. He constituted a kind of foreign body that the hotel's atmosphere could not assimilate. Not that he looked like a cartoon policeman. He didn't have a moustache and he didn't wear heavy boots. His clothes were well cut and made of fairly light worsted. He shaved every day and looked after his hands. But his frame was proletarian. He was a big, bony man.

Maurice Denham is the famous French detective Maigret, and Michael Gough is his creator, Georges Simenon, in five classic radio dramatisations. First broadcast in 1976, the episodes are 'Maigret Goes Home', 'Maigret in Montmartre', 'Maigret Has Scruples', 'Maigret in Society' and 'Maigret Sets a Trap'. Maigret is an enduringly popular character, first appearing in print in 1931 and most recently filmed for television starring Rowan Atkinson.

Maigret finds himself back on the Rue des Acacias just 10 days after cracking another case there. This time it is the murder of a criminal Maigret has known for over 20 years and one he always suspected was behind a string of jewellery robberies in the city. Maigret's patience is tested as he eliminates neighbour by neighbour in his hunt for the murderer.

A young cabaret dancer in a black silk dress leads Maigret into a seamy world of nightclubs, drug addiction and exploitation on the streets of Montmartre. 'He opened the door for her and watched her walk away down the huge corridor, then hesitate at the top of the stairs. Heads turned as she passed. You sensed she came from a different world, the world of the night, and there was something almost indecent about her in the harsh light of a winter's day.'

'Maigret had never been comfortable in certain circles, among the wealthy bourgeoisie where he felt clumsy and awkward.... Built like a labourer, Oscar Chabut had hauled himself up into this little world through sheer hard work and, to convince himself that he was accepted, he felt the need to sleep with most of the women.' When a wealthy wine merchant is shot in a Paris street, Maigret must investigate a long list of the ruthless businessman's enemies before he can get to the sad truth of the affair.

Maigret is called to the home of professional gambler Felix Nahour, who has been found shot dead by his chambermaid. Maigret is shocked to recognise a photo of the man's wife, who becomes the main suspect. All signs point to her guilt, but Maigret suspects there might be more to this complicated affair.

This novel has been published in a previous translation as Maigret on the Defensive.

When a French professor visiting the quiet Dutch coastal town of Delfzjil is accused of murder, Maigret is sent to investigate. The community seem happy to blame an unknown outsider, but there are people much closer to home who seem to know much more than they're letting on: Beetje, the dissatisfied daughter of a local farmer; Any van Elst, sister-in-law of the deceased; and, of course, a notorious local crook.

A new translation of Georges Simenon's gripping tale of lost identity. A man picked up for wandering in obvious distress among the cars and buses on the Grands Boulevards. Questioned in French, he remains mute... A madman? In Maigret's office, he is searched. His suit is new, his underwear is new, his shoes are new. All identifying labels have been removed. No identification papers. No wallet. Five crisp thousand-franc bills have been slipped into one of his pockets.

Nicholas Le Prevost stars as the French detective in four new BBC Radio 4 full-cast dramatizationsThese new adaptations of classic stories find Maigret recreating four memorable cases for his creator Georges Simenon.In ‘Maigret: A Man’s Head’, a convicted man is allowed to escape, then followed by police investigating a double murder.

Maigret's old colleague becomes an unexpected rival in book 24 of the new Penguin Maigret series. In everyone's eyes, even the old ladies hiding behind their quivering curtains, even the kids just now who had turned to stare after they had passed him, he was the intruder, the undesirable. No, worse, he was fundamentally untrustworthy, some stranger who had just turned up from who knew where to do who knew what.

When a self-made man appeals to Maigret for protection at his lavish home, a years-old grudge from the past resurfaces and the inspector finds himself questioning his own motives. Conflict rather than harmony probably reigned in eight out of 10 of the still magnificent houses that surrounded the park. But he had rarely had the opportunity to breath such a strained atmosphere as the one between these walls.

In book 39 of the new Penguin Maigret, the inspector learns that his hapless colleague Lognon is being menaced by some notorious American mobsters, and he makes it his mission to bring them to justice - despite threatening warnings that he is out of his depth. This story has been published in a previous translation as Inspector Maigret and the Killers.

Set in the in the atmospheric and squalid streets of Paris, Maigret sets out to prove the innocence of a man condemned to death for a brutal murder. In another one of Maigret's unconventional and audacious plans, he arranges the escape of the condemned man in an attempt to prove his theory. The presumed murderer goes on the run across Paris and its suburbs, dropping misleading clues along the way and leading Maigret into the labyrinthine twists of the mystery.

A new translation of this moving novel about the destructive power of greed. Poor Cécile! And yet she was still young. Maigret had seen her papers: barely 28 years old. But it would be difficult to look more like an old maid, to move less gracefully, in spite of the care she took to be friendly and pleasant. Those black dresses that she must make for herself from bad paper patterns, that ridiculous green hat!

That shoeless foot looked incongruous lying on the pavement next to another foot encased in a shoe made of black kid leather. It was naked, private.... It was Maigret who retrieved the other shoe, which lay by the kerb six or seven metres away. A series of strange phone calls leads Inspector Maigret through the Paris streets towards a man out of his depth amid a network of merciless criminals.

Georges Simenon's haunting tale about the lengths to which people will go to escape from guilt, translated by Linda Coverdale as part of the new Penguin Maigret series. A first ink drawing showed a hanged man swinging from a gallows on which perched an enormous crow. And there were at least twenty other etchings and pen or pencil sketches that had the same leitmotif of hanging. On the edge of a forest: a man hanging from every branch.

Nineteen-year-old Frank - thug, thief, son of a brothel owner - gets by surprisingly well despite living in a city under military occupation, but a warm house and a full stomach are not enough to make him feel truly alive in such a climate of deceit and betrayal. During a bleak, unending winter, he embarks on a string of violent and sordid crimes that set him on a path from which he can never return. Georges Simenon's matchless novel is a brutal, compelling portrayal of a world without pity; a devastating journey through a psychological no-man's land.

A new translation of this gripping novel which sees the inspector brought out of his peaceful retirement. Maigret shrugged his shoulders, buried his hands in his pockets and went off without answering. He had just spent one of the most wretched days in his life. For hours, in his corner he had felt old and feeble, without idea or incentive. But now a tiny flame flickered. 'You bet we'll see' he growled.

George Simenon's devastating tale of misfortune, betrayal and the weakness of family ties, translated by Anthea Bell. Instead of the detail filling itself in and becoming clearer, it seemed to escape him. The face of the man in the ill-fitting coat just misted up so that it hardly looked human. In theory this mental portrait was good enough, but now it was replaced by fleeting images which should have added up to one and the same man but which refused to get themselves into focus.